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Word: michelangelos (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...drawings are the kind of works most admired by him. Forty different museums, galleries, and private collections loaned the exhibits to the Museum. They are examples only of European masters from the fourteenth to the fifteenth centuries, including "old favorites" and rare, but lesser known works. Names like Michelangelo, da Vinci, Rembrandt, Van Gogh, and Van Dyck adorn the canvasses...

Author: NO WRITER ATTRIBUTED | Title: Sachs Gets Fogg Exhibit; Gives His Estate to College | 11/29/1948 | See Source »

...ages in droves. As for blunt-spoken old Gustav Vigeland (who died in 1943), he refused to consider criticism for a moment. Oslo's city fathers gave him what he demanded: carte blanche and an expense account for 24 years to do for Oslo, if he could, what Michelangelo did for Rome (total bill: some $5,000,000). As his part of the bargain, Vigeland gave Oslo more than 120 groups of park statues and 60 bas-reliefs...

Author: /time Magazine | Title: Art: Monumental Zoo | 10/11/1948 | See Source »

...before exhibited a one-man show of a living artist. The rest, all done withinć the past 20 years, had been brought from Yugoslavia by his brother Petar. The hit of the Metropolitan show was a 5½ ton Pieta done in the muscular, dramatically contorted tradition of Michelangelo, and too big to transport to Pittsfield. The Berkshire exhibition emphasized Městrović's carved wooden bas-reliefs and single figures whose intensity made Hungarian Sculptor de Strobl's vaster ideas look blown up (see below...

Author: /time Magazine | Title: Art: Passion in the Berkshires | 8/30/1948 | See Source »

...wise, but not with earthly knowledge. Giuliano seems to be "held upright by the magic of the Madonna at whom he is looking." The Virgin, with the Child at her breast, sits at the center of the chapel's end wall. She is the focal point around which Michelangelo's half-classical and half-Christian little universe is clustered...

Author: /time Magazine | Title: Art: Out of the Night | 8/9/1948 | See Source »

Four in Reply. De Tolnay's interpretation of the Medici Chapel is a contribution to art history, but no one will ever know for sure whether it corresponds to what Michelangelo had in mind. The master himself wrote four lines of poetry about the chapel-an answer to the poet who had praised his Night figure. His poem, speaking in the person of Night (and translated by John Addington Symonds...

Author: /time Magazine | Title: Art: Out of the Night | 8/9/1948 | See Source »

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