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Moreover, art-based classes like Literature and Arts B-39: "Michelangelo" and Literature and Arts C-66: "Rome of Augustus" utilize the Web as a 24-hour image gallery, allowing more students to review the image than was possible when library slide carousels were the only option...

Author: By Karen M. Paik, | Title: Computers Revolutionize Harvard's Academic Life | 6/5/1997 | See Source »

...older, world-weary image--a touch of gray at the temples, a wistfulness for waylaid innocence--that made Mastroianni a worldwide star. As the Dolce Vita gossipist, the moviemaker in Fellini's great 8 1/2 (1963) and the writer in Michelangelo Antonioni's La Notte (1961), he moved like a man in perpetual postcoital ennui, elevating spiritual passivity to a metaphysic and a fashion statement. "Mastroianni" became a kind of emotional cologne for the modern male. And no one wore the style as elegantly as he: the dark suit, the narrow tie, the eyes of a man who's been...

Author: /time Magazine | Title: MARCELLO MASTROIANNI (1924-1996): Imperfect, Irresistable | 12/30/1996 | See Source »

...listening classes, however, there is far less room for any discussion of a definitive right and wrong. In fact, it seems that because we will never know precisely what a Dickens or a Tennyson, a Mozart or a Michelangelo, a Hitchcock or an Ellington intended to convey, there is a certain humility inherent to the study of their arts. A premium is placed on digesting as much as possible in the way of opinion and suggestion; yours are as good as mine, and mine no better than hers...

Author: By Gil Seinfeld, | Title: The `Hunter-Gatherer' Theory of Classes | 11/25/1996 | See Source »

...they do all the reading. Sophomores are fine, but they also do a lot of reading. You are busy with seminars, conference courses, pre-thesis activities and the like. The last thing you need is an hour to listen while students eagerly call out and give a soliloquy on Michelangelo or Beethoven's Ninth. You have lost all patience by now. This is for somebody else, those who love to hear themselves speak (and there are some--many), but certainly...

Author: NO WRITER ATTRIBUTED | Title: The Evolution of Sections | 10/3/1996 | See Source »

...unfortunately, I'm Michael Ginsberg, not Michelangelo...

Author: By Michael E. Ginsberg, | Title: Crime Night | 9/21/1996 | See Source »

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