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...Michelangelo's next challenge was to produce a fresco in the huge new hall of the Palazzo della Signoria, to match a similar fresco to be done by his great rival, Leonardo da Vinci. Though neither painting was ever finished, the cartoons for them became, as Benvenuto Cellini recorded, "so long as they remained intact ... the school of the world"; Michelangelo's surviving sketch for a bathing soldier demonstrates...

Author: /time Magazine | Title: Art: 41 Survivors | 7/2/1979 | See Source »

...labor, Michelangelo was peremptorily summoned to Rome by Pope Julius II to design his tomb and later to paint the vaulted ceiling of the Sistine Chapel. "The place is wrong, and no painter I," grumbled Michelangelo, who considered himself first and foremost a sculptor. Three superb drawings of torsos show the pains he took over the huge scheme, which cost him four years of neck-straining labor...

Author: /time Magazine | Title: Art: 41 Survivors | 7/2/1979 | See Source »

...time he was 60, and despite his success and fame, Michelangelo had turned moody, irascible, feeling himself harassed by worry and his powers waning. Yet he was already launched into the six-year labor of creating the Last Judgment on the altar wall of the Sistine Chapel. It was a tumultuous design, here embodied in a sketch dynamic with the swirl of falling bodies and tortured shapes of the agonized damned; his earlier calm, idealized nudes were transformed into the twisted forms expressive of his own brooding sense of sin and death...

Author: /time Magazine | Title: Art: 41 Survivors | 7/2/1979 | See Source »

Phaethon at the moment the overweening hero is struck down by Jupiter's wrathful thunderbolt. On it, Michelangelo wrote...

Author: /time Magazine | Title: Art: 41 Survivors | 7/2/1979 | See Source »

...Master Tommaso, if you don't like this sketch tell Urbino [Michelangelo's servant] in time for me to make another by tomorrow evening, as I promised; and if you do like it and want me to finish it, send it back to me." Michelangelo also had his visions of idealized womanly beauty. The Morgan has a sketch of one such vision, perhaps (as some romantics would have it) a portrait of the only wom an he ever loved. She was Vittoria Colonna, the Marchesa di Pescara, a woman 17 years younger than he, and their "love" seems...

Author: /time Magazine | Title: Art: 41 Survivors | 7/2/1979 | See Source »

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