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Pickpocket presents the story of a young would be writer named Michel, who, for motives which are never clear to him, becomes a petty thief. Through repeated series of close shots, Bresson chronicles the man's early fumbling attempts, his education in criminal technique, and finally his successive successful efforts in relieving other men of their valuables. Despite the efforts of a friend and an interested police inspector to deter him and prevent his being imprisoned, Michel purposely persists and in the end is caught by a detective who had set himself up as a foil...

Author: NO WRITER ATTRIBUTED | Title: Pickpocket at the Orson Welles Sunday through Tuesday | 8/8/1969 | See Source »

...Soviet Union Lectures--Michel Tatu of Le Monde will lecture on "Power in the Kremlin from Khrushchev to Kosygin." Emerson Hall...

Author: NO WRITER ATTRIBUTED | Title: Calendar | 8/5/1969 | See Source »

Died. Mrs. Helen de Young Cameron, 86, matriarch of San Francisco high society, wealthy daughter of Michel H. de Young, co-founder of the San Francisco Chronicle, who for half a century was a notable patron of the arts, and a director of both the symphony and opera associations; of a heart attack; at Rose-court, her pink-stucco château in suburban Hillsborough...

Author: /time Magazine | Title: Milestones: Aug. 1, 1969 | 8/1/1969 | See Source »

...example; there is the question of the Reality of the Situation. Michel Piccoli plays an author who is writing a science fiction novel about an electronic device that controls people for a minute at a time. Is Piccoli living the story he is writing? Or is he dreaming that he is living the story? Or is what we view merely a psychotic fantasy resulting from an auto crash? There there is the problem of the actors themselves. Why does Michel Piccoli play a character named Edgar Piccoli? And is it significant that Catherine Deneuve plays someone simply referred...

Author: By Terry CURTIS Fox, | Title: Les Creatures | 7/25/1969 | See Source »

This is what French Novelist Michel Tournier has done. The beautifully translated result, though, is far more than a Cartesian blueprint fleshed into creaky fiction. Like Crusoe I, but more elaborately in Tournier's version, Crusoe II shakes off despondency by creating a makeshift England, complete with fertile fields, full storehouses, a church, a fortress and an elaborate code of law and punishment with which to govern himself...

Author: /time Magazine | Title: Books: Caliban and Crusoe II | 7/11/1969 | See Source »

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