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Especially impressive is Suzanne Chappell's interpretation of Nora. Nora is essentially a split personality, vain and frivolous on one hand, determined and strong-minded on the other. Miss Chappel effectively stresses the latter. Thomas Gaydos as Torvald and Michel Bouche as Krogstad are both effective and convincing...

Author: By Peter K. Solmssen, | Title: The Playgoer | 12/8/1951 | See Source »

...United Fruit Co. is a $500 million enterprise. Its annual net earnings are greater than the national budget of any of the Central American countries in which it grows its big, sweet Gros Michel bananas for the U.S, and Europe. Years ago, the company used to operate in Guatemala and elsewhere with all the freewheeling methods that characterized the era of "dollar diplomacy." Since then, however, Unifruit has changed with the times, becoming a model big employer in the Caribbean. Paradoxically, Unifruit's reforms have only brought it under heavier attack by government and labor in Guatemala, especially since...

Author: /time Magazine | Title: GUATEMALA: Unifruit Under Fire | 11/12/1951 | See Source »

Private Life: Wife, Cécile Bonnefoy; two sons, Pierre, 22, second lieutenant in a Moroccan rifle regiment (and also a St. Cyr graduate), and Michel, 13. Fond of cigars, bridge, music-hall ditties, dancing (but no jitterbugging...

Author: /time Magazine | Title: Foreign News: WEST EUROPEAN LAND COMMANDER | 8/27/1951 | See Source »

...French film with English dialogue dubbed in, "Fabiola" stars Michele Morgan, Michel Simon, and Henri Vidal. Mlle. Morgan has a terrible part and does little to improve on it. She walks sultrily through most of the script and only rarely rises even to the level of hamming...

Author: By Andrew E. Norman, | Title: The Moviegoer | 5/29/1951 | See Source »

Bizet: Carmen (Raoul Jobin, tenor; Solange Michel, soprano; Michel Dens, baritone; Marthe Angelici, soprano, and others; chorus and orchestra of the Paris Opéra-Comique, with André Cluytens conducting; Columbia, 6 sides LP). Soprano Michel lacks the fire to make the title role burn as it should, but the performance as a whole is excellent and so is the recording...

Author: /time Magazine | Title: Music: New Records, may 28, 1951 | 5/28/1951 | See Source »

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