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...seven well-known conductors for guest appearances. The drive was a success. To Pittsburgh went successively: 1) gaunt, funereal Otto Klemperer, conductor of the Los Angeles Philharmonic; 2) Cincinnati's Eugene Goossens; 3) Fritz Reiner; 4) Mexico's Carlos Chavez; 4) NBC's Walter Damrosch; 6) Michel Gusikoff, former concertmaster of the Philadelphia Orchestra; and 7) Rumania's Georges Enesco. To Klemperer went the job of rebuilding the new orchestra. He heard auditions, reshuffled the old personnel, sweated his musicians into top-notch form, followed with a series of performances that brought stolid Pittsburgh audiences...

Author: /time Magazine | Title: Music: Orchestras | 3/14/1938 | See Source »

...last week, when flies in de Basil's soup seemed thickest, handsome Prince Serge Obolensky (onetime Diaghilev supporter) and his cohorts of Manhattan socialites (Aldrich. Biddle. Vanderbilt et al.) and White Russians thundered to the rescue. To the Obolensky-de Basil standard rallied white-haired Choreographer Michel Fokine, several of whose past creations (Don Juan, Les Eléments, L'Epreuve d' Amour) already studded the proposed repertory of the Massine-World-Art company. Besides the exclusive future services of Choreographer Fokine, the Obolensky-de Basil company acquires the bulk of the present repertory costumes and scenery...

Author: /time Magazine | Title: Music: Ballet War | 2/14/1938 | See Source »

...pieces and many an encore. One of them was the "Minute" Waltz which Hofmann-his humor not deserting him even on so dressy an occasion-tacked impishly on the end of a languishing Chopin nocturne. No excuse was needed to end the program with one of the works of Michel Dvorsky-a rhythmic, vigorous Chromaticon or "duologue for piano and orchestra." For Michel Dvorsky, as everyone in the audience knew, was Josef Hofmann...

Author: /time Magazine | Title: Music: Jubilee | 12/6/1937 | See Source »

...King Dodon whenever disaster impended (which was often), Riabouchinska leaped frantically, shook dazzling tail feathers against the bizarre, glaringly-colored backgrounds of Nathalie Gontcharova. With the often repetitious opera airs of Rimsky-Korsakov cut to ballet length, Le Coq d'Or made good colorful sense, its choreography by Michel Fokine a happy blend of pantomime, burlesque, Russian boot kicks and the classic style at which the Monte Carlo troupe excels-dancing sur les pointes (on the toes...

Author: /time Magazine | Title: Music: Sur les Pointes | 11/1/1937 | See Source »

...Winner by a split second in the closest finish in Thompson Race history was Pilot Rudy A. Kling in a mosquito-nosed, Menasco-motored Folkerts monoplane which just nosed out Earl Ortman's Keith Rider at an average of 256.9 m.p.h. This was seven miles slower than Michel Detroyat's world record winning time last year, but fast enough to take the $9,000 first-prize money. A wiry garage mechanic and veteran racer who designs his own planes, 29-year-old Rudy Kling lives in Lemont, Ill., had already walked off with the $4,500 first prize...

Author: /time Magazine | Title: Transport: Victims & Winners | 9/13/1937 | See Source »

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