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...also made plenty of enemies through sheer insolence. He slammed down the phone during a foreign policy argument with Republican Congressman Mickey Edwards of Oklahoma. He shouted obscenities at Senate Republican leader Bob Dole's press secretary over a routine news release. He berated House Republican leader Bob Michel for not supporting the President with sufficient enthusiasm, moving Michel to note that "sometimes we have to remind Governor Sununu that this is not the New Hampshire legislature." Democratic Senator Tim Wirth of Colorado says what many Washington insiders feel: Sununu "thinks he's the only smart guy in town...

Author: /time Magazine | Title: Big Bad John Sununu | 5/21/1990 | See Source »

MONSIEUR HIRE. In rank solitude, a strange man (Michel Blanc) watches a pretty woman (Sandrine Bonnaire), and someone has murder in mind. From the Georges Simenon novel, French filmmaker Patrice Leconte spins a handsome web of obsession, betrayal and death. Blanc is spookily splendid as the pathetic voyeur...

Author: /time Magazine | Title: Critics' Voices: May 7, 1990 | 5/7/1990 | See Source »

...House, a bipartisan task force that tried to resolve the impasse came up empty after months of negotiations. Speaker Tom Foley and Republican leader Bob Michel last week made a last-ditch effort to achieve a compromise. Predictably, it failed. Now a bipartisan bill making such cosmetic changes as providing discounted rates for television commercials will probably pass. It will do almost nothing to curb the abuses...

Author: /time Magazine | Title: For The Love of Money | 5/7/1990 | See Source »

...humorous, watercolor-washed humanism of Jean-Michel Folon, best known from posters and magazines, is accorded a museum retrospective at New York City's Metropolitan...

Author: /time Magazine | Title: Time Magazine Contents Page | 4/16/1990 | See Source »

Stone. Bronze. Oil on canvas. This is the durable stuff that heavy-duty art history is made of. For more than three decades, however, Jean-Michel Folon has taken on serious, humanistic themes with no more than delicate whispers of watercolor on paper. His skill and inventiveness have made him one of the world's best-known commercial artists. Now, in a career-spanning survey on view at New York City's Metropolitan Museum of Art through June 3, Folon is coming in for the sort of institutional scrutiny rarely afforded an artist whose work is better known from posters...

Author: /time Magazine | Title: Art: Where Fantasy Teases Reality | 4/16/1990 | See Source »

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