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...appear in Boston, but bad weather forced their plane from Montreal to land at Warwick, R.I. There the Rolling Stones were passing through customs when a photographer began snapping pictures. First thing you know there was some pushing, then some shoving, then some cops. When things settled down, Mick Jogger, Lead Guitarist Keith Richard and three other belligerent members of the Stones' entourage were on their way to the police station. Boston Mayor Kevin White calmed 15,000 sweltering fans who were waiting in the Boston Garden by telling them that he had telephoned a plea to the Warwick...

Author: /time Magazine | Title: People, Jul. 31, 1972 | 7/31/1972 | See Source »

...front, the place looked like the Stanley Cups. Banners, some claiming that Chestnut Hill loves Mick were draped over balcony walls, and somebody's mother's good sheets had been emblazoned with the bold crudity of the Rolling Stones' tongue logo. The front row had purposely been placed within three feet of a six foot stage. It was apparent that no one there would see anything, but the theory was to cut off potential space for crowding right in front of the stage. I also elected to make friends with the five people seated directly in front of me. They...

Author: By Frederick Boyd, | Title: 'You Guys Aren't Exactly Muscle Beach' | 7/28/1972 | See Source »

There are final impressions, the girls who fainted during the second song, and missed the rest of the show; Mick Taylor playing slashing leads without breaking expression; the complete imperturbability, or musicians, a fire-cracker went off not thirty feet from the stage, not a chord missed; finally, a last image of Jagger's complete exhaustion at the concert...

Author: By Frederick Boyd, | Title: 'You Guys Aren't Exactly Muscle Beach' | 7/28/1972 | See Source »

...voice ride into another, undifferentiated wave of sound coming at the stage from the hall -the noise of thousands of kids in vicarious heat. Where these two walls of energy meet, above the stage and its blindly waving fringe of teeny-bopper arms, they precipitate a form. It is Mick Jagger, Jumpin' Jack Flash in person, laced into a white rhinestone-studded jumpsuit and painted like a Babylonian hooker, back-lighted by amber spots and front-lighted by a Mylar mirror the size of a movie screen slung from the roof trusses, belting into the chorus...

Author: /time Magazine | Title: Time Essay: The Stones and the Triumph of Marsyas | 7/17/1972 | See Source »

...latent dandyism of every town the Stones play in and calls into action an elaborate pecking order of the In who possess tickets (to the Royal Enclosure, as it were) and the Out who do not. The point of the concert is not the sound but the presence of Mick Jagger, who is still arguably the supreme sexual object in modern Western culture...

Author: /time Magazine | Title: Time Essay: The Stones and the Triumph of Marsyas | 7/17/1972 | See Source »

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