Word: mickeys
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Dates: during 2000-2009
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...parody the comic's way of showing envy, then Spillane was a signal success. A Life cover line on Spillane read: "13,000,000 Books of Sex and Slaughter." He didn't exactly invent the paperback market, but he certified their status as the main format for popular fiction. "Mickey Spillane's contribution is far beyond mystery or crime writing," crime-book editor Martin Greenberg says in the affectionate and impressive documentary Mike Hammer's Mickey Spillane (available as part of the three-disc set Max Allan Collins' Black Box). "I think he's a phenomenon in regard...
...trouble of a trial by executing the villain himself." The jolt this character gave to literature, by being both so brutal and so popular, was immediate and lasting. "We were a very puritan nation right up through the 1950s," says novelist Loren Estleman. "I think it was people like Mickey Spillane, getting out there and effectively butting his head against the wall that made those walls collapse...
...MICKEY SPILLANE...
...print and picture. Block notes that Hammer "was originally intended as a comic-strip hero. The fast cuts, the in-your-face immediacy, and the clear-cut, no-shades-of-gray, good-versus-evil story lines of the Mike Hammer novels come straight out of the comic-book world. Mickey Spillane was writing something else - comic books for grown-ups." I, the Jury, then, can lay claim to being the first graphic novel, just without illustrations...
...That gave him the makings, and suddenly he had a motive. "I had to get out of New York City," he says in Mike Hammer's Mickey Spillane. "I couldn't stand that place." So he moved up to Newburgh and, when told a home he wanted to build would cost $1,000, speed-wrote I, the Jury. The hardback version, published by E.P. Dutton, sold OK, nothing special, about 20,000 copies. But when issued in paperback in late 1948, the book stoked a furor. (The year's other literary sensation that year was Spillane's polar opposite...