Word: mid-1970s
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...researching his first Dr. Siri mystery, 2004's The Coroner's Lunch, Cotterill had little to go on. Historical accounts from the mid-1970s proved sketchy at best (and, as it happened, Laos had no actual chief coroner to consult). In writing about Laos' most politically tumultuous decade, Cotterill was thus left to fill in the blanks for himself. The latest Dr. Siri mystery, in particular, delves into the tragic history of the Hmong, an ethnic minority buffeted by the Vietnam War and later brutally oppressed in both Vietnam and Laos. "The problem with writing about Laos is information stops...
...first nine months of the year, according to an analysis of return data by TIME.com. If the losses stand, it would be by far the worst year for these funds - which are unregulated and open only to high-net-worth investors - since their returns began being tracked in the mid-1970s. "It's not going to be a good year," says Peter Laurelli, vice president at HedgeFund.net. "We can be pretty sure of that...
...professor says that one of his most formative experiences in Washington was watching Ford reach out to heal the wounds of Vietnam and the Nixon years while confronting the economic crisis of the mid-1970s...
...mid-1960s to the mid-1970s were the heyday of the crazy-girl book: books by and about young women who lost their minds. Sylvia Plath's The Bell Jar, Joanne Greenberg's haunting I Never Promised You a Rose Garden, Go Ask Alice, Sybil. There were books about crazy boys too, of course, such as Mark Vonnegut's The Eden Express. But that's just boys. Everybody knows they're crazy. There was something disturbingly, voyeuristically hypnotic about those hippie Ophelias--electrode paste on their temples beneath their center-parted hair, Jefferson Airplane on the sound track, psychedelic chaos...
...Vaness, Mezzo Janice Taylor, Tenor Siegfried Jerusalem, Bass Robert Lloyd; Christoph von Dohnanyi conducting the Cleveland Orchestra and Chorus (Telarc). Every decade Karajan tackles the Beethoven symphonies, and these new recordings of the heroic Third and frisky Eighth complete his latest cycle. Like his previous version, issued in the mid-1970s, these interpretations are forceful and decisive, fast without being headlong, firm without being inflexible. The Berlin Philharmonic's playing is silky as ever. But in terms of sheer kinetic excitement, nothing will top the explosive, elemental performances from the 1960s. Dohnanyi's Ninth boasts a strong quartet of soloists...