Word: middlebrows
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...many of TV's most noted comedies--The Honeymooners, The Dick Van Dyke Show, The Mary Tyler Moore Show, M*A*S*H*--never made it to No. 1, while plenty of junk did ascend to that pinnacle. As fun as it would be to go against the conventional, middlebrow wisdom and say The Beverly Hillbillies possessed a sly, Twain-like wit, recent viewings confirm that it was as crude as everyone has always said. The Happy Days-Laverne and Shirley era is another sorry one. So it could be argued on behalf of Seinfeld that it has combined quality...
...ever convince me otherwise," Tilberis writes in her new book, "No Time to Die." Diana had spoken of her touch as "a white light," she added. It may sound like the ramblings of a religious zealot, but Tilberis's story is being taken to heart by Britain's leading middlebrow newspaper, the Daily Mail. That the source is so well respected is a sign of things to come. The next stage in Diana deification begins when the official government memorial is constructed -- on a site almost certain to become a latter-day Lourdes...
Except possibly those mornings the reviews for his shows come out. With the apparent end of Andrew Lloyd Webber's string of hits, Wildhorn has taken over as the middlebrow melodist critics love to hate. His soaring ballads are dismissed as bland pop geared for easy-listening radio; his shows are scorned as cut-rate imitations of Phantom of the Opera and Les Miserables. ("The man writes galumphing, dunderheaded musicals that make...everything by Andrew Lloyd Webber seem like great art"--Newsday.) But he is a musical populist and proud of it. "Lyrics can be hard to grasp," he says...
...western hero who coolly plugs his lover when the bad guy tries to use her as a shield in a gun fight. Sam didn't strain for these bold, indelible moments. They just came naturally to him. Haute Hollywood patronized him--low budgets, no Oscars--and the dominant middlebrow critics of his high time, the 1950s and early '60s, dismissed him. It was O.K. to see the world as a dung heap if you eventually deplored it, but you weren't supposed to be as exuberantly unjudgmental about the vulgarly obsessed creatures scuttling across it as Sam was. --By Richard...
...mutants, horror comic books and the birth of rock 'n' roll. But that was just kid stuff, the teen taste that eventually took over pop culture. The prevailing tone on '50s movie and TV screens was adult, earnest, upper-middlebrow. Dozens of hourlong teledramas probed modern and historical topics each week. At movie theaters people found that for every social problem, Hollywood had not a solution but a script. Are you looking for the Golden Age of Television? You'll find it in the work of Fred Coe. You want to send a movie message? Call Stanley Kramer...