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Word: middlebrows (lookup in dictionary) (lookup stats)
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Seventh, the AMERICAN STATES would agree to subfidize from tax levies a television network dedicated to the broadcaft of high-toned COFTUME DRAMAS and middlebrow police PROCEDURALS produfed in the British Isles, and to greet with enthufiafm, feigned if necessary, the mufical compofitions of SIR ANDREW LLOYD WEBBER...

Author: /time Magazine | Title: MUFTER THE TROOPS! | 7/7/1997 | See Source »

...from composer Cy Coleman and lyricist Ira Gasman. It is, moreover, one new musical that really shows the impact of Rent. The Life has had its sights set on Broadway for years, but might never have arrived if Rent had not made gritty New York street life safe for middlebrow theatergoers...

Author: /time Magazine | Title: BRING IN 'DA TUNESMITHS | 5/5/1997 | See Source »

Depp turned down the Keanu Reeves part in Speed and the Brad Pitt role in Legends of the Fall, becoming something rather old-fashioned, a character lead. But he worked in the kind of films--youth-oriented and fringy--that middlebrow traditionalists, the people who sniffishly deplore actors who "just play themselves," never go to see. This is their loss; they have missed out on the filmography of the most interesting actor...

Author: /time Magazine | Title: DEPP CHARGE | 3/3/1997 | See Source »

...current declaration of independents is really Hollywood's declaration of artistic bankruptcy. The majors are less capable now than ever of making and marketing the high-quality, middlebrow "people pictures" that the Academy has always rewarded, from Marty to Annie Hall to Ordinary People to Driving Miss Daisy. The allure for the high-stakes gamblers who run the studios is the $100 million special-effects film, like the Twister-Flood-Dante's Peak epics--"movies that seem programmed off the Weather Channel," as Bob Weinstein drolly says...

Author: /time Magazine | Title: CINEMA: INDEPENDENTS' DAY | 2/24/1997 | See Source »

...time to revise or retire his screen character. He's too old to keep playing a perpetually muddled romantic victim. But he wears his ambition winningly and, as a filmmaker, achieves a transcendence of his own, making something fresh and beguiling out of that middle-class, middlebrow angst he has so often explored...

Author: /time Magazine | Title: CINEMA: THEY SORTA GOT RHYTHM | 12/9/1996 | See Source »

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