Word: midi
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Dates: during 1940-1949
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...night last week Garry Davis, self-appointed Citizen of the World, rolled up his sleeping bag and put on his scuffed leather flight jacket. Then he headed for Cherche-Midi military prison, on Paris' Left Bank. He told the prison concierge that as a gesture of protest against injustice, he wanted to be locked up with Jean Moreau, a young French conscientious objector whom the French police had recently jailed. The concierge was very sorry, but the director of the prison was not around; perhaps, if M. Davis came back the next morning, the director might accommodate...
Even after success came to Claude Debussy with his Pelleas et Melisande and Prélude a l'Après-midi d'un Faune, the bearlike composer helped support himself for nearly ten years by scribbling pieces for Paris journals. A collection of his musical criticisms called Monsieur Croche, the Dilettante Hater (Lear; $2.75), long out of print in the U.S., was republished this week. Music-lovers who admire Composer Debussy may not always agree with Critic Debussy-but some of his judgments are as luminous as his music. For his critical 'dirty work and malicious...
...prisoners got tired of waiting. In Nürnberg, Field Marshal Johannes Blaskowitz, 64, accused of butchering civilians and P.W.s in Poland, threw himself over a prison parapet, fell 30 feet to a tile floor, died of a crushed chest and punctured lungs. Next day, in Paris' Cherche-Midi Prison, General Otto von Stülpnagel, 69, convinced that he would be shot for shooting wartime French hostages, finally succeeded (second try) in hanging himself with strips torn from his bedding and underwear...
...first seen Ernest Ansermet (rhymes with ah sir may) and his black, square-cut beard 32 years ago, conducting while Nijinsky danced. It was Ansermet who gave the U.S. its first taste of Stravinsky's tart Petrouchka and Debussy's heady L'Après-Midi d'un Faune...
...work on Paris-Midi, he livened its feature page so capably that at 19 he became its city editor. He needled the news with sensationalism but did not twist it politically, as most prewar French papers did. In a year its circulation multiplied twelve times. Then Lazareff took on Paris-Soir, in a few years ran it to France's biggest daily (circ. 2,500,000). He put the formula to work on a picture magazine, and Match surged to 1,200,000 circulation. His Marie-Claire, for women, hit 1,000,000. Lazareff left Paris when the Germans...