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Word: midi (lookup in dictionary) (lookup stats)
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...dress manufacturers of Seventh Avenue think that shirtwaist dresses are the answer, they are crazy. This style is frumpy. It is blatantly obvious that since the midi fiasco most of Seventh Avenue is grabbing at anything, hoping something will work...

Author: /time Magazine | Title: Letters, Apr. 2, 1973 | 4/2/1973 | See Source »

...Dutch-speaking Flemings and French-speaking Walloons regularly take their differences to the streets. In the French city of Toulouse not long ago, TIME Correspondent Paul Ress got into a discussion about the brutal crusade led by Simon de Montfort, a northern baron, against the Catharist "heretics" of the Midi during the 13th century. The Toulousains seemed amiable, but Ress was told next day that they "didn't like you, though. They took you for a friend of Simon de Montfort...

Author: /time Magazine | Title: THE MINORITIES: The War Within the States | 3/12/1973 | See Source »

...garment industry would swagger to the top with order pads in one hand and samples of the latest fashions in the other. But nowadays life along Manhattan's Seventh Avenue, main drag of the U.S. dressmaking industry, is a bit more subdued. Three years after the ill-starred "midi" provoked a customer rebellion that unstitched profits in firm after firm, many women are still shying away from dresses and skirts of any sort, and playing it safe fashionwise by choosing pantsuits. Result: a New York dressmaking disaster...

Author: /time Magazine | Title: CLOTHING: Slaughter on Seventh Avenue | 3/12/1973 | See Source »

Nationwide, dressmakers' production last year dropped 1%, and 6,500 jobs disappeared. As sales sag, costs soar. Wholesale buyers, after the midi misfire, are anxious to avoid stocking ,up on any one style. The result is that dressmakers have to offer greater variety to attract interest-at the expense of their profit margins...

Author: /time Magazine | Title: CLOTHING: Slaughter on Seventh Avenue | 3/12/1973 | See Source »

...last weekend's Salute to Serge Diaghilev, the legendary Russian impressario of the arts, who, among other things, presented the first performance of Stravinsky's Le Sacre in 1913, with choreography by Nijinsky. Though he confessed that, because of a lot of schedule conflicts, Friday's program (L'apres-midi d'un faune and Jeux by Debussy: Scythian Suite 'Ala and Lolli' by Prokoflev: and Stravinksy's Les Noces) was not one of his more daring adventures. Thomas was justifiably excited about it: "...the figure of that man is monumental. It's just unbelievable the number of things he brought...

Author: By Stephen E. Hefling, | Title: Michael Tilson Thomas | 1/17/1973 | See Source »

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