Word: midi
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...they are usually interlarded with propaganda. Typical were the pictures shown along with The Plow That Broke the Plains in Washington's Mayflower last fortnight: an excerpt from The Triumph of the Will, directed for Adolf Hitler by Leni Riefenstahl (TIME, Feb. 7); an institutional reel called Midi dealing with the French railways; a Russian Harvest Festival which depicts the Ukraine as a merry place; Color Box and The Face of Britain, respectively glorifying the British Post Office and the social effect of water power...
...many Germans and lead to rumors that some be-monocled old-school diplomat of the Wilhelmstrasse must write them. But Adolf Hitler confronted face to face by a foreigner is also different from Adolf Hitler overpowering a dazzled German. To Berlin last week, hastily summoned from Paris, hurried Paris-Midi's correspondent de luxe, M. Bertrand de Jouvenel, son of the late, great French Senator & Ambassador Henri de Jouvenel. In Paris the Chamber had just voted to ratify a Franco-Soviet military alliance (see p. 18). Herr Hitler did not want it to pass the French Senate and become...
...Boston Symphony in giving the fifth concert in its Sanders Theatre series tonight. The program consists of Beetheven's Sixth Symphony (the Pastoral), Debussy's "Prelude a I' Apres-midi d'un Faune," "Till Eulcnspiegel's Merry Pranks," by Richard Strauss, and Professor Piston's Concerto for orchestra. Of these, the first three have already been performed this year at the concerts in Boston. The concerto by Mr. Piston, who is sometimes known as a "classicist," was composed in 1933 and was recently played by the Boston Symphony in New York. It will be remembered that the Second String Quartet...
...regular Friday afternoon and Saturday evening Symphony Hall concerts will offer a varied program embracing the two above mentioned Bach preludes; Beethoven's Symphony number six, the "Pastoral"; a new score, "Danza," by John Alden Carpenter; Debussy's "L' Apres'Midi d'un Faun"; the scherzo to Mendelssohn's "Midsummer Night's Dream" and the prelude to Wagner's "Meistersinger...
...built around her own personality that she succeeded in spite of ragged musical accompaniment, shoddy, second-rate scenery. The Diaghilev company was peerless so long as it had Tamara Karsavina and Nijinsky who, according to Author Kirstein, established a landmark more with his stark choreography (L'Apres-Midi d'un Faune, Le Sacre du Printemps) than with his sensational leaps or his unsurpassed entrechats...