Word: midi
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...earliest paintings in this show, like the portrait of his grandmother from 1900-02, are timid, earnest homages to Corot and Boudin. In 1905 he saw what Matisse and Derain had done at Collioure, under Van Gogh's spell, with the hot colors and white light of the Midi. Prodded by his friends Othon Friesz and Raoul Dufy, he began to paint the colder northern light of Antwerp in a fauve style. But in this early work there is a sense of discomfort. Braque did not draw very well, and, as he lacked the graphic fluency of his mentors...
HAYDN: SYMPHONIES LE MATIN, LE MIDI AND LE SOIR...
...since the midi-length fiasco nearly 20 years ago has there been such miscalculation by designers and manufacturers. Perhaps they were bored, spoiling for a chance to make a dramatic statement. Perhaps they misread the trend over the past two or three years to raise hemlines slightly, to somewhere around the knee...
...Berri's cinematography sets out to record the archetypical Provencal village. Barri shoots glassy stares at the Midi countryside as easily as close-ups of Ugolin's unshaven cheek or Papet at the table. Unfortunately, Manon appears to be just another landscape. Beart is an extraordinary beauty. She has long blond hair and baby-blue eyes and a face that could launch a thousand ships. But she has almost no lines in the entire two hours of the film...
...contrast, use computers to create, reproduce, and modify sounds. Harvard's array of digital equipment in Paine Hall includes a Yamaha DX7 synthesizer, a Mirage synthesizer, and an Apple Macintosh computer, as well as a rack of digital effects, mixers, and tape decks. Through an electronic interface called MIDI, the computer can be used to sequence the various synthesizers and to modify sonic waveforms. One interesting feature of the Mirage is its ability to take digital samples of sounds in the "real world" and alter their pitch via a keyboard. This technology can be used for such interesting creations...