Word: midler
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...Relax. The Showgirls star is playing GOLDIE HAWN's husband's mistress in The First Wives Club. "We have to afford people some mistakes," says Hawn of Berkley. "She's a lovely girl." The sisterly goodwill has apparently spread to the whole cast. Of working with Hawn and BETTE MIDLER, DIANE KEATON says, "It has heightened my impression of how talented they are. They're the major fascinating women of all time." How will such nice women manufacture the vengeful feelings their characters need? Easy, says Midler. "I'll think of how guys get $20 million a picture...
...Dietrich were not only paid as much as male stars but cast in strong roles. But then women stars retreated into the domestic comfort of TV, whose agenda they still set. And the guys took over the movies. The major exceptions were Barbra Streisand, Goldie Hawn and Bette Midler, stars who became producers and are heroines to today's generation of actress-producers and studio comers...
Joel Dorn, a longtime industry talent scout credited with discovering Bette Midler, Roberta Flack and the Neville Brothers, located the lost Coltrane tapes amid hundreds of sloppily marked reels in a storeroom in Atlantic Records' New York City office. Fortunately, the tapes were in near perfect condition. "We just blew the dust off," says Dorn. "We didn't play with the sound by boosting the bottom or putting sparkle on top." No tricks were needed; Coltrane's energy and grace come through without added studio polish...
...Sulpice scene from Manon, a passionate encounter between lovers in a monastery, brings on the prima donna ``Vera Galupe-Borszkh,'' a.k.a. ``La Dementia.'' Wearing a colossal red fright wig and more lipstick than Lucille Ball, she commands the stage like Bette Midler on Benzedrine, casting her stratospheric soprano to the bleachers as it veers between ear-splitting fortissimos and never-ending pianissimos...
...Sepulce scene from Manon, a passionate encounter between lovers in a monastery, brings on the prima donna "Vera Galupe-Borszkh," a.k.a. "La Dementia." Wearing a colossal red fright wig and more lipstick than Lucille Ball, she commands the stage like Bette Midler on Benzedrine, casting her stratospheric soprano to the bleachers as it veers between ear-splitting fortissimos and never-ending pianissimos...