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...Army." It was not just the shock of the images. "I remember walking to my class, past all these rooms," Pae recalls, "and every single instructor had CNN on." Cadets fielded calls from frantic parents, who had also been watching the news and seeing the future explode. As midnight approached on the night of Sept. 14, the cadets stood at attention and heard the ceremonial gunshot over Trophy Point, as the bugler played taps in memory of those who had died. "It became very real very fast," says Cadet Rob Domitrovich, another plebe that year. "The whole mentality of West...

Author: /time Magazine | Title: The Class of 9/11 | 5/22/2005 | See Source »

Yesterday afternoon’s celebration came one year after the city allowed same-sex couples to file for marriage licenses at midnight on May 17, 2004—the first moment when a landmark state court ruling legalizing same-sex marriage went into effect...

Author: By Brendan R. Linn, CRIMSON STAFF WRITER | Title: A Year Later, City Celebrates | 5/18/2005 | See Source »

Cambridge will mark the one-year anniversary tomorrow with a celebration at City Hall from 4 to 6 p.m., featuring a cake, speeches, and video footage from last year’s midnight celebration...

Author: By Brendan R. Linn, CRIMSON STAFF WRITER | Title: City Toasts Gay Marriage Milestone | 5/16/2005 | See Source »

...Kiss Kiss Bang Bang is a demonstration - worse, a celebration - of the dead end Hollywood movies have hit. Fortunately, Cannes offered a palate cleanser, a detoxification, in the form of Stuart Samuels' documentary Midnight Movies: From the Margin to the Mainstream. It focuses on six films - El Topo, Night of the Living Dead, The Harder They Come, The Rocky Horror Picture Show, Pink Flamingos and Eraserhead - that earned cult status in the 70s through midnight screenings at venues like Ben Barenholtz's Elgin Theatre in Manhattan...

Author: /time Magazine | Title: Cannes Diary III: Grave Robbing | 5/13/2005 | See Source »

...There was a much better one, by Hoberman and Jonathan Rosenbaum, which Samuels co-opts by having its authors carry his film's critical narrative. The rest is a brisk mix of clips and interviews with Barenholtz and other exhibitors, as well as five of the six films' directors. Midnight Movies is a pertinent, poignant reminder of an era when all sorts of weird wonders filled the screen, at all hours of the day and night - back when progressive directors went about breaking taboos, not surrendering to Hollywood's fondness for feeding on its own carcass. A look...

Author: /time Magazine | Title: Cannes Diary III: Grave Robbing | 5/13/2005 | See Source »

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