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Dull shades of stucco prevail. Balconies are frequent, and the settings for touches of rare color: carefully tended flower boxes. It is a modernism not of the skyscraper but of the piled and scattered, as if--like the baroque boulevards, the bombed-out imperial facades in the East, the shape...

Author: By Phil Patton, | Title: Letter from Berlin | 8/17/1973 | See Source »

New Town. Chicago 21 starts by taking advantage of the huge but little-used railway yards around the downtown Loop area. This prime land is available for new projects with an absolute minimum of demolition, relocation of people or land-assembly problems. Indeed, the air rights over 83 acres of...

Author: /time Magazine | Title: Environment: Chicago 21 | 7/2/1973 | See Source »

The tremendous enthusiasm that Kahn's teaching-no less than his buildings-evokes in other architects is partly explained by the decay of the socalled International Style. That system of curtain-wall, frame-and-fill architecture came to America from the Bauhaus, and has dominated the nation's...

Author: /time Magazine | Title: Architecture: Building with Spent Light | 1/15/1973 | See Source »

Marble Foyers. It was not the fault of the Bauhaus that its formal lessons were so quickly vulgarized by American business. Most architecture is parody, and the International Style's problem, paradoxically enough, was not so much that it failed in the U.S. but that it hardly got a...

Author: /time Magazine | Title: Architecture: Building with Spent Light | 1/15/1973 | See Source »

At 70, Marcel Lajos Breuer wears 50 years of achievement as easily as one of his old tweed jackets. Indeed, he seems almost cherubic, a stocky, gentle man with a merry twinkle in his blue eyes. The more celebrated Walter Gropius was a teacher; Ludwig Mies van der Rohe built...

Author: /time Magazine | Title: Architecture: Breuer: The Compleat Designer | 12/4/1972 | See Source »

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