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It was enough to make an old patriarch sorrow for his erring sons. In FORTUNE last month, Manhattan Architect Philip Johnson, a onetime disciple, had said: "This is still a period of disintegration in all the arts. There's no particular advantage to chaos, but that's where...

Author: /time Magazine | Title: Architecture: Affirming the Absolutes | 2/11/1966 | See Source »

In modern architecture today, as Mies sees it, there are two vying ten dencies: "One has a structural basis, and you may call it the more objective. The other [Le Corbusier's] has a plastic basis, which you could call emotional. You cannot mix them. Architecture is not a...

Author: /time Magazine | Title: Architecture: Affirming the Absolutes | 2/11/1966 | See Source »

Clarity or Boredom. In Mies's view, the new language began to be spoken about 1900, and it was first articulated not by architects but by engineers: "The most important idea in modern architecture is the skeletal idea developed right here in Chicago." In fact, it was photographs of...

Author: /time Magazine | Title: Architecture: Affirming the Absolutes | 2/11/1966 | See Source »

It is also a philosophy that has inspired countless imitators and led to the charge that such stripped-down structures add up to monotony. Not so for Mies: "Some people say that what I do is 'cold.' That is ridiculous. You can say that a glass of milk...

Author: /time Magazine | Title: Architecture: Affirming the Absolutes | 2/11/1966 | See Source »

Sir: Mies van der Rohe and Philip John son theorize that '"less is more." If their design for the Kennedy memorial [Dec. 24] is constructed, they will prove that "something can be nothing."

Author: /time Magazine | Title: The Viet Nam Situation | 1/7/1966 | See Source »

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