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To the layman the answer seems as self-evident as which way is up. To those who have tried to design one the solution is more complicated. Says Architect Ludwig Mies van der Rohe: "A chair is a very difficult object. A skyscraper is almost easier. That is why Chippendale...

Author: /time Magazine | Title: Art: Architects' Furniture | 2/18/1957 | See Source »

Wright's cry was taken up in the 1920s by Germany's bustling, experimental Bauhaus School under Walter Gropius. It was at the Bauhaus that Architect Marcel Breuer designed the first chrome metal chair, whose descendants now populate the land as lawn or kitchen furniture. In Berlin, Mies...

Author: /time Magazine | Title: Art: Architects' Furniture | 2/18/1957 | See Source »

The Potato Chip. Once Mies had demonstrated that a chair's metal frame could be used in place of springs, Finland's Alvar Aalto showed that the same thing could be done with molded plywood. In the U.S., Architect Eero Saarinen and Charles Eames teamed up in 1940...

Author: /time Magazine | Title: Art: Architects' Furniture | 2/18/1957 | See Source »

With a proud and somewhat hurt air, a group of Texas oillionaires gathered last week at a ground-breaking ceremony for the Houston Museum of Fine Arts' $860,000 building-expansion program. There to wield a special silver shovel were Donors Nina Cullinan (daughter of Texas Co. Founder Joseph...

Author: /time Magazine | Title: Religion: Deep in the Hearts of Texans | 2/4/1957 | See Source »

In designing Concordia Senior College at Fort Wayne, Ind., Saarinen remembered the snug appearance of Danish villages clustered around their church, kicked the modern cliche of the flat roof skyhigh, and designed the chapel and buildings with pointed roofs. Says he: "There is a whole question of how to relate...

Author: /time Magazine | Title: Art: The Maturing Modern | 7/2/1956 | See Source »

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