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...Minneapolis-based Bill Stumpf, 50, chairs, especially office chairs, have been neither a sideline nor a flashy aesthetic afterthought. The Miesian, Eamesian, entirely worthy benchmark Stumpf set for himself years ago was "to make a beautiful chair comfortable." He accomplished that by drawing on more than a decade of careful thought about chairs--not just how they ought to look, but how officeworkers lean and squirm and relax while sitting in them. Stumpf's Ergon (1976) and Equa (1984) are the two most important chairs, surely, of the past quarter-century, handsome, generous and deeply elegant. They are also ubiquitous...

Author: /time Magazine | Title: Design: Looking Good Is Not Enough | 6/21/2005 | See Source »

...Rooms with a View While houses will have a Miesian simplicity, their windows will become display surfaces, able to show vistas of deserts, jungles or urban skylines...

Author: /time Magazine | Title: What Will Our Houses Look Like? | 2/21/2000 | See Source »

...MIMID MINIATURE MINE DETECTOR With 70 million land mines buried out there, this sleek, telescopic diviner with its Miesian line couldn't have arrived sooner. Created by Gerhard Heufler, its carbon and glass fiber-reinforced plastic body comes in basic GI Joe green, weighs 3 lbs. and quickly collapses into a small backpack for transporting to remote areas. The controls take just a few minutes to master. This is good design with a good purpose...

Author: /time Magazine | Title: The Best of 1998 Design | 12/21/1998 | See Source »

...prize has never before been shared, but the pairing seems apt. Both Niemeyer, 80, and Bunshaft, 79, are really being honored for their pioneering work of 25 and 35 years ago. Bunshaft is the Miesian. As the chief design partner at New York City's Skidmore, Owings & Merrill, he was the creator in the 1950s and early '60s of humane, impeccable steel-frame-and-glass-skin office towers, among the best built anywhere. Niemeyer is the prolific Corbusian, a quirkier and more perilously romantic builder of singular, often bombastic objects -- most notably the major public buildings of Brasilia, the utopistic...

Author: /time Magazine | Title: Design: A Boost for Good Old Modernism | 5/30/1988 | See Source »

...Clark, 44, came of age professionally during the decline of blank-box modernism. It is a nice irony that the small hotel he and his partner, Charles Menefee, 32, designed for a river-bluff site outside Charleston, S.C., is such an unapologetically modernist work. The Middleton Inn, elegant and Miesian in the best senses, is complicated but not overwrought, decorous but not formulaic...

Author: /time Magazine | Title: Design: Exploring The New Materialism | 1/5/1987 | See Source »

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