Search Details

Word: mikes (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...MIKE AT THE MOVIES...

Author: /time Magazine | Title: The Prince of Pulp | 7/22/2006 | See Source »

...teenager playing Hammer in a school pageant, and he's dressed in a trenchcoat so oversize, it seems to be holding Chuck Bednarik's shoulder pads. Elliot is further undercut by the dialogue. "I like to stick my neck out," he tells Charlotte, "Makes me think I'm tough." (Mike can't have the pretense of toughness; he's got to exude it.) In one scene, Elliot's Mike is knocked out cold when bad-guy Paul Dubov hits him with ... a coat hanger. What a wuss...

Author: /time Magazine | Title: The Prince of Pulp | 7/22/2006 | See Source »

...Some things Aldrich and screenwriter A.I. Bezzerides kept from the book: a secret message from a dead woman; a scene where Mike slams a desk drawer shut on the fingers of a suspect; the slapping around of an Athletic Club guard; and the ultimate villain (who goes up in flames). But they changed the Mafia to an, I don't know, atomic-weapons gang. It's as if the Rosenbergs didn't give the Russians the plans for a bomb but the bomb itself. They also perverted the relationship of Hammer and his police buddy, Pat Chambers. Wesley Addy...

Author: /time Magazine | Title: The Prince of Pulp | 7/22/2006 | See Source »

...Hammer personality got an overhaul too. This Mike isn't a lonely knight, or even a psycho with a hero complex. He's a sleazy guy in a slimy business - his specialty is divorce cases - who does mean things for fun. I still remember, from seeing the film 51 years ago, a scene where Hammer picks up a man's beloved old Caruso record and snaps it in two. (The same year I'd seen Blackboard Jungle, where the vicious high-school punks smash a teacher's Bix Beiderbecke records. So I knew Mike was a bad guy.) The music...

Author: /time Magazine | Title: The Prince of Pulp | 7/22/2006 | See Source »

...fiction can is chain you to the power of first-person narrative. Spillane puts you inside the thick, teeming skull of some modern-medieval creature - part Galahad, part dragon - and locks you there. You may want out, but you also want to stay, if only to see how similar Mike Hammer's atavistic codes and instincts are to yours, and how swiftly and deftly Spillane etches this urban underworld. (As novelist Mirian Ann Moore says, "Nobody ever hit a noun against a verb like Mickey Spillane...

Author: /time Magazine | Title: The Prince of Pulp | 7/22/2006 | See Source »

Previous | 295 | 296 | 297 | 298 | 299 | 300 | 301 | 302 | 303 | 304 | 305 | 306 | 307 | 308 | 309 | 310 | 311 | 312 | 313 | 314 | 315 | Next