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...funeral directors are expected to be lank, lugubrious, waxen creatures like their customers, Mickey Milam, a smiling cherub of a man, provides the perfect antistereotype. In the Chapel of the Chimes, flanked by potted palms and backed by taped music, Mickey delivers his stand-up speech on the history, evolution, and utter necessity of the funeral home professional. Who else knows just how to suture the lips shut? Who else knows just where to make the incision so "you're gonna get your best drainage...

Author: /time Magazine | Title: In Florida: A Life and Death Class | 12/3/1979 | See Source »

Both magazines cater to the "new liberated woman of the seventies." Playgirl's editor Marin Scott Milam describes her readers as "intelligent, practical, honest; women who are comfortable with their sexuality who want to know more about everything." Both attempt to market a general interest magazine with erotic overtones. Both have the usual gossip, fashion, fiction, travel, and "how-to" sections. Depending on the magazine, the erotic overtones are either sprinkled lightly in one or two places (Playgirl) or squarely anchored to most articles (Viva...

Author: By Ruth C. Streeter, | Title: Graphic Stimulation: Driving Her Wild | 1/21/1974 | See Source »

...into the beams of his baronial office, but stopped doing so when a ricochet almost hit his secretary. One night, when a Supreme Court Justice came to visit, Zink released a coon and a pack of hounds in the middle of dinner. Another original is Seattle's Lorenzo Milam, who lives on a houseboat, runs the Jean-Paul Sartre Memorial No Exit Roominghouse, teaches literature in a reformatory and currently hopes to become Seattle's "existentialist" mayor by "abolishing the environment" so that "there would be nothing to pollute...

Author: /time Magazine | Title: Essay: THE SAD STATE OF ECCENTRICITY | 3/14/1969 | See Source »

Where the Taylor house is curvy, the Arthur W. Milam house in northern Florida is all right angles. Architect Paul Rudolph, another Gropius alumnus, designed a series of concrete block rectangles that turn the house's seaside exposure into a mammoth Mondrian. It is a straight place, but not all for show; the open-end geometry that ornaments the facade functions as a sunbreak and keeps the interior cool without cumbersome draperies. The house is built on seven levels that form a series of "living platforms," the lowest being a utility room, while the uppermost is a rooftop lookout...

Author: /time Magazine | Title: Art: Add Water, Mix & Pour | 1/24/1964 | See Source »

...JOHN D. MILAM...

Author: /time Magazine | Title: Letters, Oct. 10, 1960 | 10/10/1960 | See Source »

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