Word: milan
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Dates: during 1970-1979
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...capital: Paris is 200 miles and a five-hour drive away, on a treacherous, obsolete two-lane highway.) The handsome new Entzheim Airport, with runways big enough to handle international jet traffic, has seven flights a day to Paris, as well as daily flights to London, Brussels and Milan...
While TIME correspondents in Italy dug for proof of Castaneda's residence some 20 years ago in Milan, reporters in Buenos Aires and Rio de Janeiro sought to trace his early years in South America. Correspondent Bernard Diederich visited known witchcraft centers in rural Mexico in search of Don Juan, and Sandra Burton herself traveled south of the border seeking the shaman. In New York, Reporter-Researcher Patricia Beckert interviewed Castaneda's friends and fellow anthropologists...
...later interview Don Juan. But he became so unmanageable that an uncle, the family patriarch, had him placed with a foster family in Los Angeles. In 1951 he moved to the U.S. and enrolled at Hollywood High. Graduating about two years later, he tried a course in sculpture at Milan's Academy of Fine Arts, but "I did not have the sensitivity or the openness to be a great artist." Depressed, in crisis, he headed back to Los Angeles and started a course in social psychology at U.C.L.A., shifting later to an anthropology course. Says he: "I really threw...
...when he was 24. Her son spent three years in the local high school in Cajamarca and then moved with his family to Lima in 1948, where he graduated from the Colegio National de Nuestra Senora de Guadalupe and then studied painting and sculpture, not in Milan, but at the National Fine Arts School of Peru. One of his fellow students there, Jose Bracamonte, remembers his pal Carlos as a resourceful blade who lived mainly off gambling (cards, horses, dice), and harbored "like an obsession" the wish to move to the U.S. "We all liked Carlos," recalls Bracamonte...
...Rudolf Bing spoke of creating a second opera stage for intimate performances of small-scale works unsuited to a 3,800-seat house, with the dual purpose of providing young artists with wider exposure while attracting audiences not smitten with standard repertory. But lacking a convenient junior theater like Milan's 600-seat Piccolo Scala or Munich's 500-seat Cuvillies Theater, and with no money to build one, the plan lay gathering dust until last spring, when Bing's successor, Göran Gentele, took it up. Gentele's plan to use the Juilliard School...