Word: milan
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Dates: during 1980-1989
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...office attractions make a grab for one another's chairs. It happened a few years ago when Previn left the Pittsburgh Symphony; Lorin Maazel quit the Vienna State Opera and landed in Pittsburgh; Riccardo Muti, 47, conductor of the Philadelphia Orchestra, added the directorship of La Scala in Milan to his resume; La Scala's former leader, Claudio Abbado, 55, headed for Vienna. About the only one who did not go anywhere then was the New York Metropolitan Opera's James Levine...
...also completed a sweep by Ethiopian runners in the weekend's major marathon races: Belaine Densimo, the world's fastest marathoner, won the Rotterdam Marathon Sunday, and Keleke Metaferia led a 1-2 finish in the International Amateur Athletic Federation World Cup Marathon at Milan, Italy...
...This a great victory, coming after the two in Rotterdam and Milan," he added. "It helped a lot during the race. It gave me a good impression. That's why I won today...
...Milan has been bucking Paris and all its traditions for over a decade, but the City of Light still holds a clear lead. Milan staked its claim in a time of flux, when the fashion establishment, still shell-shocked by the '60s, was not quite so restrictive. Italy came on with a rush of fresh talent: dazzling designers (like the Missonis), some fine hands (like Gianfranco Ferre) and some naughty boys (like Gianni Versace). But, in Armani, it produced just a | single world beater. Paris, on the other hand, can still offer a wider spectrum: sumptuous Saint Laurent, engaging Lagerfeld...
There was also some suggestion around the Milan shows last week that Gigli had left in a bit of a huff, having lost a wrangle over a choice scheduling spot to Ferre, whose revenues ($390 million in 1988) currently carry a good deal more clout than Gigli's (under $10 million). "One day I just woke up and thought I'd like to show in Paris," shrugs Gigli, perhaps forgetting that Paris, for other Italian designers (like Simonetta), turned into a nightmare that left them disenfranchised, with no singular creative identity. "I shouldn't yet take all this for more...