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...Middle East financiers are buying technology," reads an ad in Milan's Corriere della Sera. "Encounter with the Middle East!" cries a come-on in Paris' Le Monde. Another ad in London's staid Financial Times crooks an inviting finger: "The Middle East wants to do business with...

Author: /time Magazine | Title: EUROPE: Bartering for Oil | 5/5/1975 | See Source »

...Siege of Corinth had never been presented at the Met, nor very regularly in modern times until Sills helped revive it in 1969 at Milan's La Scala. Just as Handel's Julius Caesar at the City Opera had established her American reputation in 1966, the La Scala Siege made her an international star. Last week one could see and hear why. In lesser hands, Rossini's florid vocal writing might be just that-little more than tedious vocalizing. With Sills, a mistress of bel canto, each triplet, each double-octave run, each pianissimo high note...

Author: /time Magazine | Title: Music: Sills Meets the Met | 4/21/1975 | See Source »

...would seem. She's already a superstar, so the Met's belated recognition of her is a slight anticlimax. This production of Siege, mounted in 1969 for the centennial of Rossini's death, was the vehicle for her debut at La Scala in Milan; even then she had already been acclaimed as one of the greatest coloratura sopranos of this century. The production was so successful that the Met bought it and signed its first contract with Sills--that bastion of complacent conservatism having taken six years to acknowledge what everyone else had known for a long time that Sills...

Author: By Kathy Holub, | Title: State of Siege | 4/17/1975 | See Source »

Many middle-class Italians apparently believe that the Communists are not the threat they seemed to be a few years ago. A recent poll by the Milan daily Corriere della Sera showed that 38% of the voters were in favor of the compromise, while 34.9% were opposed; 27.1% were either undecided or confused as to what the compromise would mean...

Author: /time Magazine | Title: The World: Italy: D | 3/31/1975 | See Source »

Cranks and Bunkers. For this scenario, the Milan theft would be ideal -minor works by famous names, such as Cézanne's Thieves and the Donkey (see color page), that not one person in 10,000 would remember seeing on the museum wall years before. The chains of documentation for sales of art works are still remarkably weak. But sometimes a thief blunders and takes something unsalably famous. Siviero claims this is what happened in 1971, with the theft of Masaccio's Madonna with Child and Memling's Portrait of a Gentleman from Palazzo Vecchio...

Author: /time Magazine | Title: Art: The Plunder of the New Barbarians | 3/10/1975 | See Source »

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