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...most striking thing about Italy last week was just that. Not for years had the nation witnessed so far-reaching a surge of strikes. From Milan to Messina, from Bologna to Brindisi, men strutted the streets with banners, sat stubbornly with arms folded in occupied factories or simply stayed home. There was no common denominator to the strikes, no overall pattern of agitation as in the past, but rather a vague feeling among Italian workers that the iron was hot. And strike they...

Author: /time Magazine | Title: Italy: The Hot Iron | 4/23/1965 | See Source »

...white-collar types. Simultaneously, doctors in three of Italy's 30 medical unions struck, demanding higher wages and better working conditions in clinics. Then the opera went on strike, darkening stages just before performances of Strauss's Fledermaus in Rome, and Rossini's Moses at Milan's La Scala...

Author: /time Magazine | Title: Italy: The Hot Iron | 4/23/1965 | See Source »

...hard time handling. Moro is due to visit Washington this week, but if things go on as they have been, he may find the whole country on strike when he returns. Sophisticated Romans shrugged it all off as just another piquant manifestation of life in Italy today. Not Milan's Corriere della Sera, which warned that the strike wave of 1919-22 "exasperated the population and was a cause - far from secondary -for the public favoring nascent fascism...

Author: /time Magazine | Title: Italy: The Hot Iron | 4/23/1965 | See Source »

...when sharp-eyed Venezuelan plainclothesmen decided she was too round to be real. When they searched Josefa Ventosa Jiménez, 22, they found that the fetching passenger from Rome was wearing a specially made girdle stuffed with 1,200 crisp $100 bills. Her companion, Alessandro Beltramini, 53, a Milan physician and longtime Communist, was also well padded: his vest yielded...

Author: /time Magazine | Title: Communists: The New Strategy | 4/23/1965 | See Source »

Last week "Frau Professor" Wallmann's 127th production, a three-act spectacular, Clitennestra, by Italian Composer Ildebrando Pizzetti, had its world premiere at Milan's La Scala. Musically, the work was something of a dud-somber, repetitive, unnecessarily difficult to sing. But as exciting theater, the bloodthirsty Agamemnon legend is hard to beat, and Wallmann did not try: instead she moved her chorus in a plastic combination of Greek tragedy and modern ballet, guided Star Soprano Clara Petrella in a performance of icy majesty, and won unanimous critical acclaim for what Milan's Corriere d'Informazione...

Author: /time Magazine | Title: Opera: The Lady General | 3/12/1965 | See Source »

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