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Your sociological analysis of the city we are proud of slipped somewhere, but, on the whole, your writer cleverly grasped the Milanese way of life, its Americanism all'italiana, the hustle and bustle of its business life. Milan, as one of the biggest centers of free enterprise in Europe, had been heretofore nearly ignored by U.S. press correspondents, who generally preferred covering the highly colorful Sweet Life of Rome, and we thank you for so authoritatively filling...

Author: /time Magazine | Title: Letters, Jul. 18, 1960 | 7/18/1960 | See Source »

GIACINTO FURLAN Managing Editor Corriere Lombardo Milan...

Author: /time Magazine | Title: Letters, Jul. 18, 1960 | 7/18/1960 | See Source »

...years, wrote Milan's weekly Epoca, had Italy seen an exhibit that "offered such a wide and original panorama of Italian contemporary art." The 192 paintings and sculptures were only visitors to their native land, and some Italians were inclined to complain about that. But by this week, as it opened in Rome after eight weeks in Milan, the show of U.S.-owned 20th century Italian works, sponsored by Manhattan's Museum of Modern Art, had won a special kind of favor. To Bologna's II Resto del Carlino, it was clear "evidence of the attention...

Author: /time Magazine | Title: Art: ON NATIVE GROUND | 7/11/1960 | See Source »

...fact that the show opened first in Milan was only fitting, for it was there that in 1910 five rebellious painters issued a manifesto to the young artists of Italy. "We propose," they declared, "to exalt every form of originality, even if reckless, even if over violent." The futurist movement never became quite so reckless as its manifesto sounded, but for a time, at least, it did have Italy on the brink of artistic civil...

Author: /time Magazine | Title: Art: ON NATIVE GROUND | 7/11/1960 | See Source »

...proportion to its growth as a tourist attraction. They suspect that art is not so much the object as attention-getting shock appeal, and the scramble for one of the four $3,200 "official" prizes that automatically boost an artist's prices on the international art exchange. Said Milan's Corriere Lombardo: "The Biennale has lost its artistic heritage; it is of interest now only as a kind of stockmarket speculation...

Author: /time Magazine | Title: Art: Brickbat Biennale | 7/4/1960 | See Source »

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