Word: milan
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...Fritz Reiner's angry resignation (TIME, March 8), Pittsburgh's Symphony Society had been borrowing any top conductors it could lay hands on to lead the orchestra, if only for a few concerts. There was one man in particular they wanted, and last week, when La Scala Milan's famed Victor de Sabata appeared for the first of four guest spots, Pittsburgh decided that a few brassy fanfares were called for. All of Manhattan's first-string critics were invited, and they accepted...
Italo Tajo had sung Don Basilio only two days after arriving in the U.S., and after only one rehearsal. But he has been working up to it since he was 13. It was then that he heard Pagliacci in Milan. Before long, he was reading librettos behind his schoolbooks. His schoolwork suffered ("I was stupido"), but Tajo didn't care...
Except for two years in the Italian army ("I don't like the killing business. Me, I am afraid"), Tajo has been singing ever since-in Turin, Rome, London, Milan, and in 1946, briefly in Chicago. Now, at 33, he hopes to stay in the U.S., has. already signed with the Met. He is happy that he makes people laugh, but he wants to do more serious roles than Don Basilio or Leporello. Says he: "I do the comic role because I have the nerve. But I like Boris Godunov better...
...days later, plump, curly-haired Dorothy, 26-a soprano hardly anyone in London had ever heard of-found herself in the studio of His Majesty's Voice recording company. The famed star of the Milan Opera, Madame Margherita Grandi, was making a recording of the sleepwalking scene from Verdi's Macbeth. Suddenly, right at the end, Madame Grandi shut her mouth, and Dorothy took over. She sang three notes-F, A flat, and top D flat. For her pains, she got a slight bow from Madame Grandi and 5 guineas ($21.15). Then she went home...
...From Milan, Madame Grandi assured her British public that she really could sing top D flat herself. "But sometimes," she confided, "I am under such emotion, that it is a help ... if someone can sing it for me." London music lovers did not much like this explanation. It soon developed that Madame Grandi had been under similar emotion at last year's Edinburgh Festival, and had used another ghost, standing in the wings, for the same three notes. How much of this kind of thing went on? Apparently Sir Thomas Beecham, who conducted the orchestra for the recording...