Word: milgrim
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Dates: during 1960-1969
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...Lynn Milgrim (Clytemnestra), on the other hand, did not perfect nearly so interesting a pose and had to settle for a mask of hauteur. The chorus was innocuous, which is something, and the play is short...
Leontes's rage must be induced by Hermione's playful (although to him seemingly important) jesting with Polixenes. As a queen well-schooled in the blandishments of courtly love, Lynn Milgrim's beguiling ways seem just flirtatious enough to arouse a suspicious husband. And if in the ensuing scenes, her composed fragility helps to set off the cruelty of the king, so Peter MacLean's strong and noble Polixenes offers a striking contrast as well...
...rehearsed this wonderful music thoroughly; except for some wretched brass playing in an andante section, all of the movements were well done. The speakers were also good, particularly Daniel Seltzer, who read an opening chorus, Mercutio's Queen Mab speech, and some of Friar Laurence's best lines. Lynn Milgrim Phillips made a charming Juliet, and Paul Schmidt an adequate Romeo, though his relentless theatricality became a bit tiresome...
Paul Schmidt and Lynn Milgrim (Orestes and Electra) have nearly half the play's lines; and both are, for the most part, striking. Schmidt must make plausible a wide range of moods--from grieving madness and whispering weakness to hollow posturing and bloody rage. His resonant voice and liquid movements aid him in rendering realistic the avenger-turned-criminal...
...Miss Milgrim's wild black hair, marvelously petulant mouth and expressive eyes make her Electra visually right. And aside from first-night nervousness and occasional unsureness with her hands, her performance as the sister who is at once compassionate and brutal matches the effectiveness of her looks...