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...organ sounds outside the Roxy are mixed with some in a more reposeful vein in these nine pieces. Among the best: Bartok's En Bateau, a flashy, seasick impression of a boatride; Copland's Episode, a neat vignette that builds from nearly nothing to a roiling climax; Milhaud's delicately tinted Pastorale; Messiaen's mystical Le Banquet Celeste...

Author: /time Magazine | Title: Music: New Records, Feb. 22, 1954 | 2/22/1954 | See Source »

...sons, by Beethoven, Handel and Faure, as well as by early Spanish and French composers. That still left one gap: the moderns. To fill it, Zabaleta began badgering living composers to write for the harp. So far, six concertos have been dedicated to him, including compositions by Milhaud and Villa-Lobos...

Author: /time Magazine | Title: Music: Strike-Bound Harpist | 12/14/1953 | See Source »

...music critic and ghostwriter by the time he was 20. In the early '30s, he covered modernist concerts for the tabloid Mirror while the more austere dailies were filling their columns with Rachmaninoff. Except for spells of teaching (at Mills and Brooklyn Colleges) and study (with Darius Milhaud and Nadia Boulanger), he has been at it ever since, is now the Herald Trib's most influential critic next to Critic-Composer (Four Saints in Three Acts) Virgil Thomson. On his days off, he has found time to compose a score of scores...

Author: /time Magazine | Title: Music: Critical Composer | 4/27/1953 | See Source »

...four years, he has introduced new symphonic works by such radicals as Schoenberg, Schnabel and Sessions, and such theater works (in concert form) as Busoni's Arlecchino and Berg's Wozzeck. Last week he was at it again: he conducted the first U.S. performance of Darius Milhaud's opera Christopher Columbus...

Author: /time Magazine | Title: Music: Columbus Sails Again | 11/17/1952 | See Source »

...started creating music and playing the piano at home in Concord, Calif, when he was four. Later he studied at Mills College in Oakland with Composer Darius Milhaud (who remembers him affectionately as a "good composer"), and worked at "counterpoint until it ran out of my ears." When listeners notice his Bach-like counterpoint and his big, polytonal chords, he says, "When I play jazz I am influenced by classical music. And when I compose I am influenced by jazz...

Author: /time Magazine | Title: Music: Subconscious Pianist | 11/10/1952 | See Source »

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