Word: milhaud
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...most. The First Concerto, on Wednesday, was static. The orchestra followed Rudolf in his highly correct and well paced interpretation, while Serkin played his own version, accenting different notes than the orchestra, making the humorous passages of the last movement so fast and racy that it sounded like Milhaud. The Fifth Concerto was almost unbearable. The Emperor has grown so familiar to the BSO that the orchestra dismisses it lightly. Only a few forte passages of the first movement and the opening of the second had any sort of inspiration, and the second movement fell apart before...
...great masters, Kroyt joined the Budapest in 1936, and two years later the brilliant foursome traveled to the U.S., where their concerts and records raised chamber music to new heights of popularity. Their repertoire ran from the classical Beethoven and Brahms to moderns like Bartók and Milhaud, all played with a passion and Toscanini-like elegance that substantiated their preeminence as the best string quartet of the century...
...drumming at the age of twelve, he became timpanist with the Kyoto and Osaka orchestras two years later, studying ballet on the side. Soon after, Director Akira Kurosawa picked him to perform the score for the movie Yojimbo, and at 16 he made his first solo appearance, playing Milhaud's Percussion Concerto with the Osaka Philharmonic. He traveled to the U.S. in 1964 and won a scholarship to the Interlochen Arts Academy in Michigan. Later on Yamash'ta founded his own jazz quintet in Boston...
...Grosse Fuge, which it performed almost every year. It also recorded the cycle three times-once in the 78-r.p.m. era, a second time in the early days of LP and a third for stereo. Haydn, Schubert and Brahms were staples as well, and moderns like Bartok, Milhaud and Hindemith were regularly included. To everything they played, the foursome brought a Toscanini-like elegance of outline within which the music pulsed with expressive passion. Says Violist Walter Trampler, their "fifth man" in quintet performances since 1955: "They had temperament and fire. Some people have lots of that, but they...
...succeeded in gripping the attention of the Tanglewood audience through its sheer theatrical flair. Silverman, 30, is music director of Manhattan's Lincoln Center Repertory Theater and an evangelist for a new form of music-theater. As a former student of Leon Kirchner and Darius Milhaud, he has a solid background in "pure" classical composition. But, he says, "I wanted to get into pop music and rock. I can do this much better than the other stuff. Musical comedy is the great American sound, but most of its composers haven't had the technique to carry it further...