Word: milian
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Dates: during 1960-1969
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...chief truth to emerge from Indifference is that Director Francesco Maselli and a random assemblage of famous players have marooned themselves in a torpid adaptation of Alberto Moravia's first novel, published in 1929. A young beauty (Claudia Cardinale) and her brother (Tomas Milian) struggle vainly to find meaning or purpose in existence. Mother (Paulette Goddard, in a series of unflattering closeups) is a faded gentlewoman whose unscrupulous lover (Rod Steiger) has entered a bid for Claudia and the family estates. Meanwhile, an aging adventuress (Shelley Winters) arduously lures young Tomas to her bed. He acquiesces at last because...
...performance that merely adds another great stone profile to his gallery of semi-classical parts. Harrison, puncturing the most pontifical utterances with a tongue sharpened for wit, climbs roughshod over his talented hirelings-among them Bramante (Harry Andrews), the architect of St. Peter's, and Raphael (Tomas Milian), who appears to be impersonating a painting, not a painter...
...Visconti) probes the boredom and despair of the very rich. A handsome young Milanese count (Thomas Milian) has created a front-page scandal by associating with $1,000-a-night call girls. He fears that the father of his German-born wife Pupe (Romy Schneider) will cut him off without funds. As husband and wife debate their dilemma and their relationship, the camera feels its way like a sybarite over the textures of the setting and the people. The props are excruciatingly chic, ranging from Aubusson tapestries and Canaletto paintings to Actress Schneider's Coco Chanel clothes...