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...Ritchie made with Madonna, and the nearly incoherent Revolver, and marks Ritchie's return to the form of the 1998 Lock, Stock and its 2000 follow-up Snatch. The not-so-good news about his third excursion into the London underworld is that he's reusing the early films' milieu and style. It's an attractive template that allows for some vivid variations and lets good actors play it big and nasty, but there's no question that the form has become formula. The real question is: at what level? Let's say somewhere between the fast glamour of Formula...

Author: /time Magazine | Title: Thug Chic: Guy Ritchie's RockNRolla | 10/8/2008 | See Source »

...Lenny considers himself less a thug than a commercial facilitator ("What d'you think we are? Gangsters?"), and Archie seconds that delusion. ("Keep your receipts," he tells one associate, "'cause this ain't the Mafia.") But the milieu is redolent of many a mob story, with the rocknrollas as goodfellas, and their hangouts as low-London franchises of the Ba-Da-Bing. The dialogue has an East End accent, but it's basically Tarantinian chatter - the joking among ruthless men with roguish rhetoric and short fuses - leavened for variety with the odd upmarket observation. "Beauty is a cruel mistress...

Author: /time Magazine | Title: Thug Chic: Guy Ritchie's RockNRolla | 10/8/2008 | See Source »

...Friends of the Louvre, a 111-year-old French association that helps finance some of the museum's acquisitions. With 70,000 members, most of whom pay a $100 annual subscription, it still packs some clout. Fumaroli is frank about the criticism. "The Friends of the Louvre is a milieu that is both cultured and demanding, and it easily gets into a bad mood," he says. There's particular concern about the way the museum is sending out its treasures. "Some think there is excessive exportation" is how he puts it, although he acknowledges that "as one of the biggest...

Author: /time Magazine | Title: Sacre Bleu! It's the Louvre Inc. | 7/31/2008 | See Source »

Sitting in his book-strewn office in the Collège de France opposite the Sorbonne, the white-haired Fumaroli is frank about the criticism. "The Friends of the Louvre is a milieu that is both cultured and demanding, and it easily gets into a bad mood," he says. There's particular concern about the way the museum is sending out its treasures. "Some think there is excessive exportation," is how he puts it - especially when money seems to be the primary motive...

Author: /time Magazine | Title: Le Louvre Inc. | 7/16/2008 | See Source »

...Argentinian lab as opposed to a North American lab,” Clapham says. “They have many fewer resources than Harvard has, so I had to be more creative.”From the moment her plane touched down, Clapham was exposed to the unique Argentinian milieu. When she extended her hand to greet her post-doctoral lab partner, he replied, “I’ll let you get away with that this time, but in the future you’ll have to do the kiss on the cheek.” She also...

Author: By Peter F. Zhu, CRIMSON STAFF WRITER | Title: Students Go Abroad to Different Locales | 5/6/2008 | See Source »

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