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...less zealous eye, the show proves almost the reverse. Even Haskell concedes that well before he left for Europe, Hartley had developed a style that was distinctively his own, deeply rooted in his native Maine. After Berlin it took him nearly 20 years of floundering among styles and milieus (though his technical skill sustains even his most differentiated works) and a return to New England to recover that authority with the triumphant and unique landscapes of his last ten years. Hartley was an American original who should never have left home...

Author: /time Magazine | Title: Art: The Return of an Errant Native | 7/14/1980 | See Source »

...makes good on its ambitions only sporadically. Friedkin is as skilled at capturing the ways of hard-boiled cops as he is at depicting the sweaty haunts of dangerous sex. The film's psychosexual turmoil is heightened still further by the director's linkage of these two milieus: gays cruise in cop costumes, and off-duty cops cruise in S-M drag. Both worlds are inhabited by such fine character actors as Paul Sorvino, Richard Cox and Don Scardino...

Author: /time Magazine | Title: Cinema: Cop-Out in a Dark Demimonde | 2/18/1980 | See Source »

...people. And it is perhaps not entirely fair to compare two such different mediums from two such dissimilar cultures. Nevertheless it is interesting to consider the means by which an Eskimo and a Russian who emigrated to Paris in 1910 both manage to evoke the spirit of their milieus. The Arctic sculptures convey much of the vastness and harshness of life near the Poke and were carved almost instinctively. Chagall has depicted busy, crowded, complex European scenes and yet his inspiration seems likewise instinctual. Both collections illustrate folk traditions stretching back beyond memories. The difference lies in the ancestral memories...

Author: By Diana R. Laing, | Title: Carnival Beside the Arctic Ocean | 9/22/1977 | See Source »

...side of life, which alternately fascinated, disturbed and delighted him, and from which he gleaned material for his novels. Dance and dancers represented Celine's ideal of beauty, and McCarthy notes that this was, "ironically, fostered by the popular variety shows of wartime London." But his wandering in such milieus provided him with an even broader spectrum of sordid images: a savvy pimp initiated him into Soho's brothels; he was struck by the loneliness and humiliation of urban life in New York; the inhumanity of Detroit's factories, which he saw as a model for Europe, alarmed him. These...

Author: By Anemona Hartocollis, | Title: The Unnameable | 10/15/1976 | See Source »

...irony of the present campaign is that all of the four leading center-to-liberal Democratic candidates who have held elective office--Carter, Harris, Bayh and Udall--are relatively progressive politicians elected from bedrock conservative constituencies. They are tenacious politicians to have survived such milieus, and it is very possible that each has more than his share of compromise, craftiness and downright dirt lurking in his political past...

Author: By Robert T. Garter, | Title: A La Carter | 2/21/1976 | See Source »

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