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...needs is the commitment. And that's something bred into an actor-director. When Matt Dillon went looking for pointers before his directorial debut, he got a pep talk from director John Milius: "He told me there are two people who come onto a set believing they can make the greatest movie ever--the director and the actor." And who better to make that lovely hallucination come true than the actor-director? --Reported by Jeffrey Ressner/Los Angeles and Joel Stein/New York

Author: /time Magazine | Title: What They Really Want is to Direct | 1/13/2003 | See Source »

...John Milius, the author of the original script, thought of Apocalypse as a modern Odyssey. He gave it a modern Cyclops (Robert Duvall's demented surfer stud Kilgore, who thinks napalm "smells like victory") and a group of Sirens (the Playboy Playmates who entertain the horny troops). Coppola, deep into his own Big Muddy in the Philippines, was calling his film "the Idiodyssey." He soon felt himself devolving from Willard to Kurtz--from the man on a quest to the madman at its end. But he was enough of a showman to release a picture of Academy-consideration length...

Author: /time Magazine | Title: Cinema: Apocalypse Back Then, And Now | 8/6/2001 | See Source »

...rich and infamous boss. What's truly appealing about the film is that it plays fair with all this material and the audience. Unlike the typical action movie, which is always trampling over narrative logic in order to rush on to the next explosion, this movie had writers (John Milius, Donald Stewart, Steven Zaillian; the film is based on a Tom Clancy novel) who take the time to keep us in the picture. You may not remember all of it later, but as the plot unfolds, its logic is, you might say, clear and present...

Author: /time Magazine | Title: CINEMA: Clear and Present Thriller | 8/15/1994 | See Source »

...Runaway Daughters; Uli Edel (Last Exit to Brooklyn) took Confessions of a Sorority Girl; William Friedkin (The Exorcist) got Jailbreakers; Jonathan Kaplan (The Accused) chose Reform School Girl; Mary Lambert (Pet Sematary) took Dragstrip Girl; John McNaughton (Henry: Portrait of a Serial Killer) opted for Girls in Prison; John Milius (Conan the Barbarian) chose Motorcycle Gang. The only youngster, 25-year-old Robert Rodriguez (El Mariachi), got Roadracers...

Author: /time Magazine | Title: TELEVISION: I Was a Teenage Teenager | 8/15/1994 | See Source »

Director Walter Hill's combat sequences are short and sharp, but there are not quite enough of them. The script, by Hollywood's last rogue males, John Milius and Larry Gross, devotes too much time to parlay and palaver -- to self-justification, if you will. Depending on your point of view, that's either a necessity or a sad commentary on the state of traditional male ways of being...

Author: /time Magazine | Title: Masculinity's Last Frontier | 12/13/1993 | See Source »

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