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...tonight, Nick seemed a little too... ominous. He's no run-of-the-mill character himself: he completely lacks all social graces, he never opens his shades, and for years has been trying to keep his ethnic identity a secret. ("I walk with all the people," he used to shout. When I told his mother this, she looked a little nervous and asked her husband if maybe Nick should see a psychiatrist.) I was a little suprised that Nick would have the insight to sense that, in his deranged world, I was 'not normal.' What could it mean...

Author: By Seth Mnookin, | Title: There is something wrong | 10/28/1993 | See Source »

...assertion that homosexuality is "shameful" and "vile"? Certainly not with logic--logic cannot refute epithets. The dialogue can only degenerate into a childish "is too-is not" sparring match. Debate devoid of reasoning cannot possibly enhance intellectual discussion at Harvard or contribute in any valuable way to John Stuart Mill's marketplace of ideas...

Author: By Jordan Schreiber, | Title: Mindless Moralizing | 10/27/1993 | See Source »

...because Coupland is thoughtful enough to turn the margins into a manual for the new age, full of improvised jargon and invented slang: "McJob," "recurving" and "cryptotechnophobia." Never mind that no human tongue, including Coupland's, has ever spoken these words; they are comforting grist for the media mill...

Author: By Timothy P. Yu, | Title: The Vulgar Generation | 10/19/1993 | See Source »

...parents were onetime Alabama sharecroppers who moved north to Lorain, Ohio, a small steel-mill town just west of Cleveland, in search of a better life. The second of four children, Chloe Anthony Wofford was born in 1931, in the teeth of the Great Depression. Her father took whatever jobs he could find and nurtured, as his daughter once recalled, an angry disbelief in "every word and every gesture of every white man on earth." He apparently had reason. As the daughter grew older, she heard family tales about an incident that occurred when she was only...

Author: /time Magazine | Title: Rooms of Their Own | 10/18/1993 | See Source »

...Phoebe's strenuous insistence on singing about life as if it were grade school has the benefit, first of all, of reminding you how much fun it was (occasionally) to be a kid: Aren't "Friends" as good a reason for pop songs as the run-of-the-mill broken heart? Listen harder, and the irony comes through: The album-closing, cleanly-played, slow-unto-death "Junkie on a Good Day" (a love-rock version of the Velvets' "Heroin") brings home the angst the fast tunes have been hiding. "Friends," which they've been performing for years, is at least...

Author: By Stephen L. Burt, | Title: Love and Misery | 10/14/1993 | See Source »

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