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...Milland, as rhubarb's reluctant nursemaid, and his cat-allergic fiancee, Jan Sterling, go through their antics with proper levity. But Rhubarb, of course, is the best actor...

Author: By Stephen Stamatopulos, | Title: Rhubarb | 10/13/1951 | See Source »

Circle of Danger (Joan Harrison; United Artists) sets Ray Milland down in Britain as an American who suspects that his brother's wartime death in a Commando raid was really the result of foul play. Milland's hunt for the killer takes him to the Welsh coal pits, the highlands of Scotland, the English countryside, the streets of London. The tour has genuine atmosphere, but the story lacks pace and imagination, and gains no lift from Mil-land's romantic side trip with Britain's Patricia...

Author: /time Magazine | Title: Cinema: Two of a Kind | 7/30/1951 | See Source »

Night into Morning (MGM) unintentionally serves as a fine argument for the escapist entertainment that Hollywood makes best. It is a grim, dolorous movie about a college English professor (Ray Milland) who loses his wife and child in an explosion and searches for a way to go on living without them. He broods endlessly over the tragedy, finds no solace either in drink or in the advances of a tart (Jean Hagen), finally is brought to face life again through the efforts of an understanding friend (Nancy Davis), whose concern over him almost alienates her fiance (John Hodiak...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 9, 1951 | 7/9/1951 | See Source »

...Paramount) is a milestone of mediocrity in Hollywood's current stampede to make Technicolored westerns pegged on the Civil War (see below). Neither good, bad nor indifferent to any standard device of horse opera, the picture makes a feeble stab at novelty by casting Hedy Lamarr and Ray Milland- both with the wrong accents-as a saloon queen and a Confederate ex-colonel...

Author: /time Magazine | Title: The New Pictures, Dec. 4, 1950 | 12/4/1950 | See Source »

...Milland turns up as a vaudeville trick-shot artist in a post-bellum copper-mining town where Villain MacDonald Carey is whipping up anti-Confederate feeling for crass economic reasons. The ex-colonel rallies the underprivileged Southerners, converts Adventuress Lamarr to righteousness and does his bit to bind the nation's wounds by quoting Lincoln on "malice toward none." What is especially depressing about Copper Canyon is not so much its dreary reprise of movies best forgotten as its dreary portent of movies still to come...

Author: /time Magazine | Title: The New Pictures, Dec. 4, 1950 | 12/4/1950 | See Source »

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