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...life Lana takes for her own begins in Kansas, soon moves to Manhattan where she becomes U.S. model No. 1. But there is a gap in her life, and Ray Milland, a married mining engineer, comes along to fill it. After they have lived for three months in sin (but with utter devotion, of course), Milland tells her that his wife is an invalid and is on her way to New York. Lana hits the bottle, can't sleep, demands a showdown with Milland's loving wife (Margaret Phillips) and finds she cannot go through with it. Bravely...

Author: /time Magazine | Title: The New Pictures, Sep. 18, 1950 | 9/18/1950 | See Source »

Such a leading role might be the despair of a skilled actress; for Lana Turner, it is a disaster. Looking less svelte than chunky, she fails even to make the heroine attractive. Milland is a portrait of acute discomfort, and such able players as Tom Ewell and Louis Calhern squeak by in lesser assignments. Wasted in her first movie role, Broadway's Actress Phillips (The Cocktail Party) plays in a wheelchair, but walks away with every scene in which she appears...

Author: /time Magazine | Title: The New Pictures, Sep. 18, 1950 | 9/18/1950 | See Source »

...England, Robert Taylor found two bobby-soxers under his stateroom bed on the Mauretania. As a fledgling of 21, making his first tour, William Holden suffered hotel-room invasions by voracious women. In 1946, at London's first Royal Film Performance, a Hollywood contingent headed by Ray Milland touched off a mob scene that sent three fans to the hospital and 100 to first-aid stations...

Author: /time Magazine | Title: Cinema: In the Flesh | 11/21/1949 | See Source »

Screen Directors Playhouse (Fri. 9 p.m., NBC). The Big Clock, with Ray Milland and Maureen O'Sullivan...

Author: /time Magazine | Title: Radio: Program Preview, Jul. 11, 1949 | 7/11/1949 | See Source »

Aside from the weird baseball chemistry, the movie's laughs come from the whimsical, confused Milland as he changes professions and from Paul Douglas, who plays Ray's catcher and room mate. Douglas, matching his stage performance in "Born Yesterday" and his other movie appearance in "A Letter to Three Wives," is the tobacco-chewing, hardheaded, soft-hearted, Ring Lardner ball player who wisecracks at the umpire during business hours and spends the rest of the day keeping his irascible pitcher in tow. One of the picture's funniest scenes comes when he uses some of the magic lotion...

Author: By Edward C. Haley, | Title: It Happens Every Spring | 6/13/1949 | See Source »

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