Word: milland
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...Beal (Paramount) is a modern morality play subtly fashioned around the text: "What shall it profit a man if he shall gain the whole world, and lose his own soul?" Into the life of a gang-busting prosecutor (Thomas Mitchell) floats a mysterious character known as Nick Beal (Ray Milland). At first Beal supplies the prosecutor with evidence against a big-time gambler; then he stands at the lawyer's elbow, goading his political ambitions. By the time Mitchell has been persuaded to play ball with a corrupt, vote-powerful political machine, it is clear that his sly, satanic...
...series of small shocks, and neat twists. He appears to have the exhilarating conviction that man-meets-devil can be as interesting as boy-meets-girl. The fine sardonic dialogue of Jonathan Latimer's screen play is a great help, and so are devilish good performances by Milland and Mitchell...
...convicted Nazi general really guilty? The question stirs some qualms in his idealistic prosecutor, a U.S. Army major (Ray Milland). Major Milland's search for the facts might have turned up some interesting moral issues-or at least some effective melodrama. Instead, there is only a sort of slow-motion cops & robbers chase in an uncertain direction. By the time Milland's search is patly ended, even the realistic backgrounds have begun to take on a phony look...
...Evil My Love (Paramount) is only as evil as the Johnston Office will bear. A dashing, crooked artist (Ray Milland) so deeply fascinates a missionary's late-Victorian widow (Ann Todd) that she becomes his front in a particularly ugly plot for blackmail, leading to murder. Thanks chiefly to Ann Todd's able and sympathetic performance, it is possible to guess that essentially this is a study of the disintegration, through sexual passion, of a morally delicate character. But the script can never say as much-still less examine the facts. Its only sufficient explanation of the widow...
...however, ornately produced (in Britain, by a U.S. crew), with more than ordinary feeling for atmosphere; and scene by scene, aside from its central weakness, it is reasonably interesting and sometimes exciting. Ray Milland is helpful in hinting the honesties which no tongue dares to utter. Leo G. Carroll plays Nemesis so well as to make one wish he'd get a chance to play something else. And Geraldine Fitzgerald, who is seen much too seldom, does a fresh and welcome job as the pathetic, unstable old friend whom Miss Todd reluctantly exploits...