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Grown men were crying. It was last Friday night at the Shubert Theater downtown, and a friend and I had just seen the newest revival of Arthur Miller's classic 1949 play, "Death of a Salesman." This version, starring Brian Dennehy as Willy Loman, swept the Tony Awards last year and has proven as formidable a rendition of the play as those starring Lee J. Cobb, George C. Scott and Dustin Hoffman. The performace Friday was no exception, and afterwards, as I watched fellow members of the audience cry--in some cases, bawl--I realized that the play...

Author: By Vasant M. Kamath, | Title: Down the Path to Willy Loman | 12/15/2000 | See Source »

...baseball a favor by taking Tom Hicks' ridiculous 10 year, $252 million contract to play shortstop for the Texas Rangers. Mark my words, when the history of baseball is written, this contract will be considered as epoch changing as the actions of Curt Flood and Marvin Miller...

Author: By Mike Volonnino, CRIMSON STAFF WRITER | Title: The 'V' Spot: Thank You, A-Rod | 12/14/2000 | See Source »

Catamount center Ryan Miller took the puck at the top of Harvard's zone and skated right through two defenders, breaking clear right in front of Jonas. Miller beat Jonas high to the left side, and the game was tied...

Author: By Elijah M. Alper, SPECIAL TO THE CRIMSON | Title: M. Hockey Blows Early Lead | 12/11/2000 | See Source »

...state; and more from such European exiles as the two Viennese Modernist architects Richard Neutra and Rudolph Schindler, who took refuge on the Pacific shore and found themselves in the company of assorted shrinks, religious prophets, musicians and writers, from Aldous Huxley and Thomas Mann to Henry Miller and Nathanael West. A lot of photography, of course, especially ultrasharp f/64 pix of very grand mountains by Ansel Adams and fuzzy Pictorialist ones of American nudes capering among the redwoods in homage to Isadora Duncan. In sculpture, not a hell of a lot. In painting, sad to admit, not much either...

Author: /time Magazine | Title: Art: A Flawed Ex-Paradise | 12/11/2000 | See Source »

Religion itself was nonjudgmental and easy on kooks, unlike the stern Puritanism of eastern American origins. One of the few intentionally funny paintings in the show--there are plenty that look funny but weren't meant to be--is Barse Miller's 1932 view of a downtown temple in L.A. over which floats the apparition of Aimee Semple McPherson, evangelist and sexpot, flanked by figures of Venus, her lover in a straw hat, and little top-hatted putti clutching sacks of dollars like teeny refugees from a Popular Front cartoon of bosses...

Author: /time Magazine | Title: Art: A Flawed Ex-Paradise | 12/11/2000 | See Source »

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