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...Arthur Miller looked positively giddy as 3,500 Chicagoans stood up and yelled at him. No, it wasn't a riot, but the final curtain call at this month's world premiere of A View from the Bridge, William Bolcom's operatic version of Miller's 1955 play about love and death on the Brooklyn waterfront. The Lyric Opera of Chicago bet big on Bolcom, giving his American-style grand opera a production worthy of Aida, and the horse paid off: View packs the theatrical punch of a double boilermaker...

Author: /time Magazine | Title: Doo-Wop And Knife Fights | 10/25/1999 | See Source »

...Boheme and Leoncavallo's Pagliacci. Sure enough, the tale of Eddie Carbone (baritone Kim Josephson), a middle-aged longshoreman who lusts after his young niece Catherine (soprano Juliana Rambaldi), has verismo stamped all over it, right down to the climactic knife fight. In this new version, adapted by Miller and co-librettist Arnold Weinstein, View has acquired a Greek chorus that comments on the unfolding disaster, though the overall effect remains faithful to the original play. Think of West Side Story, only with the kids grown up--and angrier...

Author: /time Magazine | Title: Doo-Wop And Knife Fights | 10/25/1999 | See Source »

...there's more to View than switchblades and red sauce. Bolcom has refracted Miller's '50s angst through the prism of an unlikely source: Benjamin Britten's great opera Peter Grimes, in which a deeply alienated antihero confronts a band of small-minded English villagers who demand his conformity or his life. Incapable of sleeping with his wife Beatrice (soprano Catherine Malfitano) and tortured by his dark longing for his niece, Eddie finds himself similarly ostracized by his fellow immigrants--a situation that allows Bolcom to deploy his chorus to galvanizing effect. View is among the first American operas...

Author: /time Magazine | Title: Doo-Wop And Knife Fights | 10/25/1999 | See Source »

...quartet and a Puccinified version of Paper Doll), Bolcom has succeeded in smelting many disparate styles into a tightly unified idiom all his own. There are times when the openhearted lyricism of a Leonard Bernstein would have been welcome, but the lean, laconic score keeps the action moving, lending Miller's kitchen-table naturalism a freshening touch of poetry. Add in Josephson's star-quality performance as Eddie, the exemplary staging of Frank Galati (who directed Broadway's Ragtime) and Santo Loquasto's angular set--the Brooklyn Bridge as painted by Franz Kline--and you get a no-nonsense tragedy...

Author: /time Magazine | Title: Doo-Wop And Knife Fights | 10/25/1999 | See Source »

Among the girls, the In sport is softball. Sarah Miller, whose friends call her the Doctor because she's an A student in all the hard classes, was awkward and unathletic as a freshman and learned that "the way to become part of the In crowd was to join a sport." Two of Sarah's best friends are Lisa Gilbert, a drum major in the band who may be valedictorian, and Ben Hudson, a black senior with a 2.9 GPA who works two jobs to help pay the bills at home...

Author: /time Magazine | Title: Monday: 10:36 A.M. First Lunch | 10/25/1999 | See Source »

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