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...none of the political ferment of pre-World War I New York rubbed off on him, and none shows in his work. The only painting in this show that could be guessed to show an industrial worker is Pennsylvania Coal Town, 1947; and the bald man is posed like Millet's peasant with a hoe, raking grass outside his house in the sunlight, not hewing at the coal face in darkness. No hints of class conflict intrude on Hopper's vision of American society, which he painted one isolated person at a time...

Author: /time Magazine | Title: ART: UNDER THE CRACK OF REALITY | 7/17/1995 | See Source »

...forest. One evening last spring, Raju, the landlord and two other poachers hid near a water hole. At dusk a tiger approached within a few yards. Raju claims he was reluctant to shoot it, but the landlord insisted. He promised, but never delivered, payment of 110 lbs. of millet -- worth...

Author: /time Magazine | Title: ENVIRONMENT: A Shotgun, a Promise of $5 and a Skinned Cat | 3/28/1994 | See Source »

...loaves-and-fishes diet. His nutritional guide is the Bible: "The book of life. The book of food. The book of meals and miracles." % In its pages he finds the secrets of longevity and regularity. From Ezekiel come the ingredients for bread. Daniel serves lentils, and Nahum offers figs. Millet, barley, honeycombs and melons tumble from holy writ as exaltations of roughage...

Author: /time Magazine | Title: BOOKS: High-Fiber Moralist | 3/7/1994 | See Source »

...thought it explained everything. It was like the world totally opened up. I remember when I took that class my senior year, and we read the Feminine Mystique, Germaine Greer, Kate Millet, and suddenly everything made sense, that's it, there you go. And I just thought, this is all unfair, this is deeply unfair...

Author: By Vineeta Vijayaraghavan, | Title: WENDY WASSERSTEIN | 1/26/1994 | See Source »

...their ancestors emerge from the closet. So it is with Dubuffet, who never ceased to insist that he was kicking free from the conventions of Western culture, starting with the idea of beauty itself. Yet his attachment to rural images from earlier French art, particularly the earthy fields of Millet, is pervasive and obvious; some of his "Texturologies" might as well be exaggeratedly close-up paintings of the life of the soil done by a microbiologist under the spell of the Barbizon school...

Author: /time Magazine | Title: Art: An Outlaw Who Loved Laws | 7/26/1993 | See Source »

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