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...fervent anarchist, and his dot-crusted scenes of idyllic rural labor (as stylized and unreal, in some ways, as any 18th century pastoral) are attempts, not always successful, to convey an ideal vision of social dignity based on freely shared work. In this he was the heir of Millet as well-though he certainly did not know peasant life as Millet had. But by the mid-1890s, with his bustling market scenes and views of Rouen cathedral rising from a choppy, tiled sea of roofs, he had returned to a less schematic form of painting...

Author: /time Magazine | Title: Art: Impressionism's Oak-Tree Uncle | 6/15/1981 | See Source »

...artists in the show, like Manet himself, or Gustave Courbet or Jean Frangois Millet, have secure reputations as masters. Almost all the rest, whose paintings have been exhumed and whose biographies have been researched with indefatigable diligence by the show's curator, Art Historian Gabriel P. Weisberg of the Cleveland Museum of Art (where the show originated last November), are minor figures. But that is not the show's point. Rather, what Weisberg and his colleagues have tried to do is re-complicate our view of the 19th century and fill in some of the details...

Author: /time Magazine | Title: Art: Gleaners, Nuns and Goosegirls | 4/13/1981 | See Source »

...realism. Painters of rural life, like Jules Breton, idealized rather more than their urban counterparts. There was a lengthy tradition of peasant decor in French art, and artists tended to see the country as a happy escape from the grinding realities of the city-the great exception being Millet, with his unfaltering sense of the earth and its rigors, and the stupors it enforced on those who worked it. One may doubt whether the women's work of gleaning after harvest was normally as dignified and arcadian as Breton suggested in The Gleaners...

Author: /time Magazine | Title: Art: Gleaners, Nuns and Goosegirls | 4/13/1981 | See Source »

...strict neutrality" toward the Afghan insurgency, overland resupply across the border has become increasingly unsuccessful­and expensive, since the required bribes at border posts have risen accordingly. As a result, mujahidin in the hills have no meat, rice or corn. Above the Pich valley, they eat only stale millet bread and sairai leaves, which resemble holly in texture as well as appearance. "Because of Kunar's terrain I don't think we can be eliminated with guns," concludes Wahid, a 24-year-old former Kabul University chemistry student who serves as liaison between Jamiat units in Kunar...

Author: /time Magazine | Title: AFGHANISTAN: Brave Struggle for Survival | 4/14/1980 | See Source »

...European Paintings, has arranged a survey of the century's progress that is unmatched anywhere. The central space is devoted to the century's culminating styles­impressionism and postimpressionism. With 13 flanking galleries, he could give one to Courbet alone, three to Degas, others to Millet and the Barbizon School. Besides a solid representation of the century's early neoclassicists and a number of Goyas, the new spaces allow a full sampling of the sentimental and pretentious salon art that the century's avant-garde had to contend against­Cabanel's sleekly erotic...

Author: /time Magazine | Title: Art: The Met's New Galleries | 4/14/1980 | See Source »

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