Word: millier
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Dates: during 1930-1930
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...glasses. "Never mind about that," he said. "Have you got a wall?" When Artist Orozco returned to New York he left behind a huge ogival Michel-angelican fresco, 25 x 35 ft. representing a giant Prometheus bearing the fire of truth, in pulsating Mexican color. Wrote Critic Arthur Millier of the Los Angeles Times: "The wall has been energized by the genius of Orozco until it lives as probably no wall in the United States today." Long-legged Arnold Ronnebeck of the Denver Times was even more enthusiastic. Added Sumner Spaulding, architect of Pomona's dining hall...