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Since then, the summer has been filled with a mix of taxis--mostly well worn Ford Crown Victorias, the occasional Chrysler Diplomat or Oldsmobile Delta 88 thrown into the mix. Now it all seems decidedly run-of-the-mill to me--the flagging down, giving of directions, exchange of money, offering of tip and getting a receipt...

Author: By Scott A. Resnick, | Title: The First Time is Always Special | 8/6/1999 | See Source »

...exaggerating here, these Los Angelinos are not your run-of-the-mill Californians. Being from San Francisco I thought I had seen all the weirdness the West Coast had to offer, but let me tell you, the SF dragfest has nothing on the women I saw strolling along Rodeo and Wilshire...

Author: By Meredith B. Osborn, | Title: Into the Valley, Riding the Bus | 7/9/1999 | See Source »

...Club on Mill St. HUPD received a complaint that nude sunbathers on the roof were throwing cans onto the street. Units were dispatched, and did not find any nude sunbathers. Club members told police that the cans blew off the building because of wind...

Author: By Jonelle M. Lonergan and Kirsten G. Studlien, CRIMSON STAFF WRITERSS | Title: POLICE LOG | 7/9/1999 | See Source »

...leaders of Edwardian Britain were utterly confounded by the energy and violence of this female rebellion, by the barrage of mockery, interruptions and demands the suffragists hurled and, later, by the sight of viragoes in silk petticoats, matrons with hammers, ladies with stones in their kid gloves, mothers and mill girls unbowed before the forces of judges, policemen and prison wardens. Many suffragists in Britain and the U.S. argued that the Pankhursts' violence--arson, window smashing, picture slashing and hunger strikes--was counterproductive to the cause and fueled misogynistic views of female hysteria. Though the question remains open, the historical...

Author: /time Magazine | Title: The Agitator EMMELINE PANKHURST | 6/14/1999 | See Source »

...imitating art as Hugh Grant strides up the road toward a popular bar in the heart of London's Notting Hill, the neighborhood, just around the corner from a travel bookstore suspiciously like the one he runs in Notting Hill, the movie. No cameras are rolling, no colorful extras mill about, but the sunglasses do little to disguise his identity, given that the rest of the Hugh Grant package--the blue shirt and khakis, the bounteous hair he repeatedly refers to as "floppy"--is reassuringly intact. And so is that Hugh Grant awkwardness; he somehow manages to walk straight past...

Author: /time Magazine | Title: Cinema: Hugh Grant's Sorry Now | 5/31/1999 | See Source »

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