Word: milos
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Most of the performers just hang around, hoping that Lawrence, Lee, or Herman might throw a bone their way. The usually redoubtable Milo O'Shea can't do a thing with the pale Sewerman, for example. And when O'Shea can't breathe life into a script, that's a sure sign the script is dead...
...delivery of the Queen Mab speech is a masterpiece of abstracted art. Teetering on madness, he spouts the words as if emerging from a lifelong nightmare. Zeffirelli, however, seems to have had better luck in casting youth than age. Pat Heywood's Nurse is a cockney caricature. And Milo O'Shea's Friar Laurence is a characterization lost somewhere in the middle distance, not deeply enough involved with the lovers nor sufficiently removed to act as a chorus of comment...
...throwback to the good old days. A rangy bay with tremendous early speed, he won last March's $134,000 Florida Derby, followed that up with a smashing five-length victory in last week's $32,300 Blue Grass Stakes at Keeneland in Ken tucky. With Jockey Milo Valenzuela holding on for dear life, Forward Pass led every step of the way, sped H miles in 1 min. 47 4/5 sec.-just 2/5 sec. off the Keeneland track record...
...Nesbitt shows, artists in 1968 are more likely to litter their workbenches with draftsmen's tools than with paint rags, to trim their walls with Surveyor's lunar photographs than with models of the Venus de Milo. But each artist still reflects his personal style in his habitat. George Sugarman, who creates boldly colored abstract sculptures, works in a spartan loft equipped with power sanders and gluepots. Claes Oldenburg's huge apartment is in a perpetual clutter because, as Nesbitt points out, "Claes likes to have a lot of things around so he can stumble over them...
...some plays had fuel gauges attached to them, their needles would indicate half full. The full half of Staircase, which opened on Broadway last week, contains uncompromisingly fine acting by the two-man cast, Eli Wallach and Milo O'Shea, and a decent quota of amusing though not wildly funny lines. The empty half consists of scanty action, no character development, and a drowsy repetitiveness that comes from distending a potentially compact one-acter into a full-length play. The comedy concerns two aging homosexual barbers and is unlikely to offend any one, except possibly barbers...