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...that I'm afraid of heights," says Violinist Nathan Milstein. "Not even that I am terrified of accidents. It's harder to define. I've flown three times in my life, and I was absolutely miserable every minute. I can't breathe, feel time is suspended, and there I am-alone with my anguish...

Author: /time Magazine | Title: The Psyche: Flying Scared | 11/8/1968 | See Source »

Soviet Pianists Sviatoslav Richter and Emil Gilels know just how Milstein feels. They too refuse to fly, unless it is absolutely necessary. Even then, says Gilels, "my extreme nervous sensibility is affected; I sense any sound or nuance during the flight." As for Richter, he requires at least five days' rest after a flight to calm down and restore his sense of hearing. Nor are musicians the only ones affected. Former Boston Red Sox Star Jackie Jensen says: "I quit baseball for several reasons, but the main one was fear of flying. It just wasn't worth...

Author: /time Magazine | Title: The Psyche: Flying Scared | 11/8/1968 | See Source »

...least that is the popular conception in Israel, where, next to having a college professor in the family, the proudest parents are those who can boast about "my son the violin player." Indeed, the front rank of the world's best violinists is predominantly Jewish-David Oistrakh, Nathan Milstein, Leonid Kogan, Yehudi Menuhin, Jascha Heifetz, Isaac Stern...

Author: /time Magazine | Title: Violinists: Return of the Prodigy | 1/15/1965 | See Source »

...resource an instrument has," Ricci says, "the more difficult it is to handle." He proves that he can handle them all, but like Heifetz and Stern, he favors the Guarnerii, capable of more bite and passion than the more fluid and poetic Strads, which are the first choice of Milstein, Oistrakh, Francescatti and Menuhin...

Author: /time Magazine | Title: Television: May 1, 1964 | 5/1/1964 | See Source »

...Liebesfreud, Caprice Viennois, La Gitana, Schön Rosmarin-have grace as well as sentiment. They are so well tailored to the violin that they are almost certain to survive as favorite encore pieces. "His arrangements brought out things for the violin we never dreamed of," says Violinist Nathan Milstein. "The violin was advanced by three persons-Bach, Paganini and Kreisler...

Author: /time Magazine | Title: Music: Last of a Breed | 2/9/1962 | See Source »

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