Word: miltonic
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Dates: during 1940-1949
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...Carnival) and vaudeville ($23,000 a week at Broadway's Roxy), Berle will work for nothing rather than go without an audience. He has entertained in hotel lobbies, restaurants, railroad stations, buses and cabs. (To a convulsed cab driver on whom he worked during a recent ride, Milton cracked: "You think this is funny? You should've caught me last Tuesday in a cab on 57th Street...
Good Samaritan. Some of his best performances in nightclubs, which the new, more refined Berle professes to find too "smoky and noisy" for his taste, have been put on free, while Milton was a customer. Visiting a Philadelphia spot during the war after a hard day's work, he went on the floor at 3:30 a.m. and played until 6 to two customers, a janitor and some sleepy waiters. Recently, when Gypsy Rose Lee walked out on a club date at the last minute, Berle stepped in and put on a two-hour show. Last year, when...
Much of Berle's free entertaining has been in good causes. He has probably played more benefits than any other performer-as many as seven in one night. In 1946, he set up the Milton Berle Foundation for Crippled Children. He has done marathon radio shows (from 12-24 hours) in New York, Chicago, Baltimore and Pittsburgh to raise funds for heart associations. Last year he spent four hours clowning with each of 75 patients in a Chicago hospital for children with rheumatic fever. Said a witness: "He has a way with kids, a way of being...
Once inclined to go overboard on horse bets, he tries to hew to a pocket-money allowance of $125 doled out weekly by a Wall Street law firm, which receives his income, pays his bills, nourishes his annuities and tends to the dozen companies lumped under the name Milton Berle Enterprises, Inc. Among his interests: a machine tool company, a furniture factory, real estate, music publishing, a toy business, a producing company...
Success has also aroused a desire for "more time for Berle." One friend is skeptical of this reach for leisure: "What Milton would really like would be to have his TV and radio shows, do a midnight turn at a nightclub, have a disc jockey show from noon to 2, spend some time during the week with Dick Rodgers batting out a few tunes. Sandwiched in between, he'd direct and produce a play, stage some revue sketches, be a TV network consultant, be called to Hollywood to star in, co-produce, co-direct, co-write and edit...